The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by HimselfGalt, John
General
The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by Himself
Galt, John
West, Benjamin, 1738-1820
About this period, Mr. West had finished his Death of Wolfe, which excited
a great sensation, both on account of its general merits as a work of art,
and for representing the characters in the modern military costume. The
King mentioned that he heard much of the picture, but he was informed that
the dignity of the subject had been impaired by the latter circumstance;
observing that it was thought very ridiculous to exhibit heroes in coats,
breeches, and cock'd hats. The Artist replied, that he was quite aware of
the objection, but that it was founded in prejudice, adding, with His
Majesty's permission, he would relate an anecdote connected with that
particular point.
* * * * *
"When it was understood that I intended to paint the characters as they had
actually appeared in the scene, the Archbishop of York called on Reynolds
and asked his opinion, the result of which was that they came together to
my house. For His Grace was apprehensive that, by persevering in my
intention, I might lose some portion of the reputation which he was
pleased to think I had acquired by his picture of Agrippina, and Your
Majesty's of Regulus; and he was anxious to avert the misfortune by his
friendly interposition. He informed me of the object of their visit, and
that Reynolds wished to dissuade me from running so great a risk. I could
not but feel highly gratified by so much solicitude, and acknowledged
myself ready to attend to whatever Reynolds had to say, and even to adopt
his advice, if it appeared to me founded on any proper principles.
Reynolds then began a very ingenious and elegant dissertation on the state
of the public taste in this country, and the danger which every attempt at
innovation necessarily incurred of repulse or ridicule; and he concluded
with urging me earnestly to adopt the classic costume of antiquity, as
much more becoming the inherent greatness of my subject than the modern
garb of war. I listened to him with the utmost attention in my power to
give, but could perceive no principle in what he had delivered; only a
strain of persuasion to induce me to comply with an existing prejudice,--a
prejudice which I thought could not be too soon removed. When he had
finished his discourse, I begged him to hear what I had to state in reply,
and I began by remarking that the event intended to be commemorated took
place on the 13th of September, 1758, in a region of the world unknown to
the Greeks and Romans, and at a period of time when no such nations, nor
heroes in their costume, any longer existed. The subject I have to
represent is the conquest of a great province of America by the British
troops. It is a topic that history will proudly record, and the same truth
that guides the pen of the historian should govern the pencil of the
artist. I consider myself as undertaking to tell this great event to the
eye of the world; but if, instead of the facts of the transaction, I
Public-domain text, read in full here on John Shaqi.
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