No better illustration of this can be afforded than by the word "Talisman," derived from the Greek verb "teleo," which means, primarily, to accomplish, or bring into effect. But, in its real, and therefore higher, sense, it means to dedicate, consecrate, and initiate into the arcana of the temple mysteries. But, in the present day it means a piece of imposture, connected with some magical hocus pocus of the ignorant and superstitious mind, a vulgar charm, that is supposed to bring the owner thereof some material benefit, irrespective of his mental, magnetic, and moral condition, "and," says the learned Webster, after describing his idea of such things, "they consist of three sorts, astronomical, magical and mixed." But in what sense the "astronomical" differed from the "magical" we are not informed, nor is any light thrown upon the peculiar nature of that class designated as "mixed." In fact, the lexicographer so mixes up his definitions that, we are unable to distinguish anything in particular, but his own individual ignorance. So it has become, in every branch of learning. Words and their meanings have become so mixed in their use and application, that, the world is full of discords and misunderstandings, which lead into dissensions and contention, among all schools of thought, sects, and isms; and lastly, though not the least serious, it has reached into the close relations of the human family. All writers and speakers, as well as the readers and listeners, should acquaint themselves with the derivation and meaning of words. The fact stands very clearly defined that, Talismans are confused in the minds of the present generation with magical charms, which depend for their effects, upon the power of the idea or thought, which the formulating magician impresses upon the substance of which they are composed. If the magical artist be expert, and endowed with an exceedingly potent will, his charm may become very powerful, when worn by the person for whom it was prepared. But, if this one grand essential be lacking, no amount of cabalistical figures and sacred names will have any effect, because, there can be no potency in symbols apart from the ideas and mental force they are capable of arousing in the mind of the maker. Solomon's Seal is no more powerful, when drawn upon virgin parchment, with a weak will, or in a mechanical state of mind, than a child's innocent scribbling upon its slate. But, if the artist realizes the mysteries symbolized by the interlacing triangles, and can place his soul en rapport with the invisible elements they outwardly represent; then, powerful effects are often produced.