Before he had got through the first stanza of the stranger's contribution--a song that the musician had accompanied hundreds of times--he found himself being instructed by Mr. Barton how to play the introduction to the second stanza. Then he found himself told that he was playing too loud: “Keep it down, my dear sir, keep it down--this is not a pianoforte solo,” said the amateur petulently, to the horror of everyone present, with the exception, apparently, of the musician; for Dr. Brailey only smiled and remarked that he hoped he would with practice be able to give the gentleman satisfaction. But even this course of suavity did not seem to produce a good impression upon the amateur: he continued grumbling, winding up by saying-- “Oh, well, I suppose that will have to do,” while he turned his back upon the musician. But the musician did not seem in the least hurt. He smiled. He was in his seat at the piano the next evening when the new tenor came forward to sing his song. It occupied, of course, the best place in the programme, and the first stanza came off very well: the high note a bar or two from the close was in itself a feat, but the singer produced it correctly and hung on to it as long as he could, and Dr. Brailey gave him every latitude, not proceeding with the accompaniment until he had quite finished with it. And then Dr. Brailey did a thing which he alone in the town could do: he raised the key a tone in attacking the second stanza without the singer being aware of it; it was only when he approached the same high note to which he had clung in the first stanza that he began to feel that he was not so much at his ease in forcing it again. He pulled himself together, however, and just managed to touch it--there was no thought of clinging to it now; he touched it and then hurried away from it down the scale, and under covert of the encouraging applause which the singer received the accompanist unostentatiously raised the key again as he dashed into the third stanza. Gratified by his previous success, the tenor went gallantly onward; again he realised that the high note would tax him to the uttermost--he felt that he was straining his voice to touch even a lower note. But what could he do? The copy of the song which he held trembled in his fingers; then he took a quick breath and made a dash for the high note. He never reached it--his voice broke upon it with the usual comical effect, and the young people in the audience yelled with laughter. A boy scout or two at the back of the hall thought the moment a propitious one for showing how accomplished they were in imitating the everyday sounds of the farmyard; and under such a volley, mingling with the laughter of the choir-boys, one of whom simulated the tremolo of a cat unable to fulfil its engagements in good time, and attempting to produce Chopin's Funeral March from the beginning with a far too meagre orchestra, the singer turned and almost fled from the platform.