And even when the first years are past and a position of comparative
prominence attained, the danger of Presumption is not outdistanced. A
boy obtains his House colours, we will say. His friends congratulate him
warmly, and then sit down to wait for symptoms of "side." The newly-born
celebrity must walk warily. Too often he trips. Our first success in
life is very, very sweet, and it is hard to swallow our exultation and
preserve a modest or unconscious demeanour when our heart is singing.
But the lesson must be learned, and ultimately is learned; but too often
only after a cruel and utterly disproportionate banishment to the
wilderness. Can we wonder that the Englishman who has achieved greatness
in the world--the statesman, the soldier, the athlete--always exhibits
an artificial indifference of manner when his deeds are mentioned in his
presence? In nine cases out of ten this is not due to proverbial heroic
modesty: it is caused by painful and lasting memories of the results
which followed his first essays in self-esteem.
The other god which schoolboys dread is Public Opinion. They have little
fear of their masters, and none whatever of their parents; but they are
mortally afraid of one another. Moral courage is the rarest thing in
schoolboy life. Physical courage, on the other hand, is a _sine qua
non_: so much so that if a boy does not possess it he must pretend that
he does. But if he exhibits moral courage the great majority of his
fellows will fail to recognise it, and will certainly not appreciate it.
They do not know its meaning. Their fathers have extolled it to them,
and they have heard it warmly commended in sermons in chapel; but they
seldom know it when they meet it. If an obscure and unathletic prefect
reports a muscular and prominent member of the House to the Housemaster
for some gross and demoralising offence, they will not regard the
prefect as a hero. Probably they will consider him a prig, and certainly
a sneak. The fact that he has sacrificed all that makes schoolboy life
worth living in the exercise of his simple duty will not occur to the
rank and file at all. Admiration for that sort of thing they regard as
an idiosyncrasy of pastors and masters.
It is not until he becomes a prefect himself that the average boy
discovers the meaning of the word character, and whether he possesses
any of his own. If he does, he begins straight-way to make up for lost
time. He sets yet another god upon his Olympus and keeps him at the very
summit thereof from that day forth for the rest of his life. As already
noted, the Englishman is suspicious of brains, despises intellectuality,
and thoroughly mistrusts any superficial appearance of cleverness; but
he worships character, character, character all the time. And that is
the main--the only--difference between the English man and the English
boy. The man appreciates moral courage, because it is a sign of
character. It is the only respect in which the English Peter Pan grows
up.
Public-domain text, read in full here on John Shaqi.
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