The Lights and Shadows of Real LifeArthur, T. S. (Timothy Shay)
General
The Lights and Shadows of Real Life
Arthur, T. S. (Timothy Shay)
Conduct of life -- Fiction; Temperance -- Fiction
"Certainly! Certainly! My boy! Or, perhaps you would try a little
brandy."
"No objection," said the young man. And then the two went to the
side-board, and each took a stiff glass of brandy.
"That's capital! It makes me feel good!" ejaculated Haley, as he set
his empty glass down.
Cotillions were now formed, and the bride and groom took the floor
in the first set. Clara felt very proud of her husband as she leaned
upon his arm, waiting for the music to begin, and glanced around
upon her maiden companions with a look of triumph. But she soon had
cause to abate her exultation, for when the music struck up, and the
dancers commenced their intricate movements, she found that her
husband blundered so as to throw all into confusion. The reason of
this instantly flashed upon her mind, for she knew him to be a
correct and graceful dancer. _He was too much intoxicated to dance!
_ Her woman's pride caused her to make the effort to guide him
through the figures. But it was of no use. The second attempt failed
signally by his breaking the figures, and reeling with a loud,
drunken laugh, through and through, and round and round the
astonished group of dancers, thrown thus suddenly into confusion.
Poor Clara, overwhelmed with mortification, retired to a seat, while
her husband continued his antics, ending them finally with an Indian
whoop, such as may often be heard late at night in the streets, from
a company of drunken revellers,--when he sought her out, and came
and took a seat by her side.
"Aint you happy to-night, Clara! Aint you, old girl!" he said, in a
loud voice, striking her with his open hand upon the shoulder. "I'm
so happy that I feel just ready to jump out of my skin! Whoop!--Now
see how beautifully I can cut a pigeon's-wing."
And he sprang from his seat, and commenced describing the elegant
figure he had named, with industrious energy, much to the amusement
of one portion of the company, but to the painful mortification of
another. A circle was soon formed around him, to witness his
graceful movements, which strongly reminded those present who had
witnessed the performances, of a corn-field negro's Juba, or the
double-shuffle.
"Come," old Mr. Manley said, interrupting the young man in his
evolutions, by laying his hand upon his arm.
"Come! I want you a moment."
"Hel-lel-lel-lo, o-o, there! What's wanting? ha!" he said, pausing,
and then staggering forwards against Mr Manley. "Who are you, sir?"
"For shame, sir!" the old man replied in a stern voice. "Come with
me, I wish to speak to you."
"Speak here, then, will you? I've no se-se-secrets. I'm open and
above board! Jim Haley's the boy that knows what he's about!
Who-o-o-oop! Clear the track there!"
And starting away from the old man, he ran two or three paces, and
then sprang clear over the head of a young lady, frightening her
almost out of her wits.
Public-domain text, read in full here on John Shaqi.
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