The Lily and the Totem; or, The Huguenots in FloridaSimms, William Gilmore
History
The Lily and the Totem; or, The Huguenots in Florida
Simms, William Gilmore
Florida -- History -- Huguenot colony, 1562-1565 -- Fiction
looked not as he threw the ashes into the air, yet did it descend upon
the breast of this said Spaniard, as certainly as if the eye and arm
of this lord had been upon this particular person at the moment when
he threw. Verily, though I know not well how it should be--being
counselled by Holy Church against such belief--yet, verily, had this
lord of Calos certain powers which did seem to justify the saying among
his people, that he was a master of magic and of arts superior to those
of common men.
"Now, when the Iawas, or priests, beheld where the ashes fell, they
seized incontinently upon the Spaniard aforesaid. They bore him away
from us, wondering and fearing all the while. But those who remained
loosed the other two who had been bound, and they were set free with the
rest, to pursue their labors in the corn-field. But we were not let to
know the awful fate which befel the Spaniard who was taken. Verily, he
saw his danger in the moment when the ashes lighted on his breast. His
face was whiter than the blossom of the dogwood when it first opens to
the spring. His eye glared, and his lip quivered like a leaf in the
gusts of March, though nothing he spake at anything they did to him. But
when they bore him away from our eyes, then a terrible fear and agony
caused him to cry aloud--'Oh! my countrymen, will you not save me from
the bloody savage!' I cannot soon forget that cry, which was clearly
that of a person who beholds his doom. But of what avail? We had not the
people, nor the strength, nor the weapons! A thousand savages danced
wildly around the council-house, and the fields were full of these who
came to drink and dance. Besides, we thought not of any danger but our
own. We knew not how soon the fate was to befal us; for had it not
seized upon Don Juan without a warning or a sign.
Public-domain text, read in full here on John Shaqi.
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