Biographical fiction; France -- Fiction; French fiction -- Translations into English; Historical fiction; Letters -- Fiction; Love stories; Man-woman relationships -- Fiction; Romance fiction
I found society courteous and women most kind. After the marriage of the
Duc de Berry the court resumed its former splendor and the glory of
the French fetes revived. The Allied occupation was over, prosperity
reappeared, enjoyments were again possible. Noted personages,
illustrious by rank, prominent by fortune, came from all parts of Europe
to the capital of the intellect, where the merits and the vices of
other countries were found magnified and whetted by the charms of French
intellect.
Five months after leaving Clochegourde my good angel wrote me, in the
middle of the winter, a despairing letter, telling me of the serious
illness of her son. He was then out of danger, but there were many fears
for the future; the doctor said that precautions were necessary for
his lungs--the suggestion of a terrible idea which had put the mother’s
heart in mourning. Hardly had Jacques begun to convalesce, and she could
breathe again, when Madeleine made them all uneasy. That pretty plant,
whose bloom had lately rewarded the mother’s culture, was now frail
and pallid and anemic. The countess, worn-out by Jacques’ long illness,
found no courage, she said, to bear this additional blow, and the
ever present spectacle of these two dear failing creatures made her
insensible to the redoubled torment of her husband’s temper. Thus the
storms were again raging; tearing up by the roots the hopes that were
planted deepest in her bosom. She was now at the mercy of the count;
weary of the struggle, she allowed him to regain all the ground he had
lost.
“When all my strength is employed in caring for my children,” she wrote,
“how is it possible to employ it against Monsieur de Mortsauf; how can
I struggle against his aggressions when I am fighting against death?
Standing here to-day, alone and much enfeebled, between these two young
images of mournful fate, I am overpowered with disgust, invincible
disgust for life. What blow can I feel, to what affection can I answer,
when I see Jacques motionless on the terrace, scarcely a sign of life
about him, except in those dear eyes, large by emaciation, hollow as
those of an old man and, oh, fatal sign, full of precocious intelligence
contrasting with his physical debility. When I look at my pretty
Madeleine, once so gay, so caressing, so blooming, now white as death,
her very hair and eyes seem to me to have paled; she turns a languishing
look upon me as if bidding me farewell; nothing rouses her, nothing
tempts her. In spite of all my efforts I cannot amuse my children; they
smile at me, but their smile is only in answer to my endearments, it
does not come from them. They weep because they have no strength to play
with me. Suffering has enfeebled their whole being, it has loosened even
the ties that bound them to me.
Public-domain text, read in full here on John Shaqi.
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