Gladys wrote very respectfully that she was very sorry she hadn't told
him before, but she was privately engaged to the son of the landlord of
the Green Man at Stanmore: the Eldest Son, she wrote with pride (as
though he would inherit the title). She was awfully sorry. Besides, she
was going to be a manicure, first, for two years, and then settle down
at Stanmore. Her fiance was twenty-one. She hoped Mr. Vaughan would come
over to tea very soon, and she thought his letter was very kind, and
remained his truly, Gladys Brill.
Mr. Brill had written a long and slightly rambling letter which
suggested rough copies and even some assistance from the old vintages of
the "Bald-faced Stag." He refused most firmly, though thoroughly
sensible of the honour done him by Mr. Vaughan's offer, but he couldn't
go back on his word to his friend at the Green Man. The arrangement had
been made, when Gladys and the son were in their cradles, by him and
his pal of the Green Man and he couldn't go back on his word. And Gladys
liked the young chap; and it was a great honour, indeed, that Mr.
Vaughan had done them, and it would have been splendid for Gladys in the
worldly sense. But there! it was better, perhaps, not to mix up
Stations. Mr. Brill repeated this sentiment over and over again, always
using a capital S for station--(as though Vaughan had expressed an
insane desire to confuse Victoria with the Great Western). And he
remained very respectfully, Tom Brill.
"A manicure in Bond Street and then the landlady of a common country
inn! Never! She shan't! I'll go down and persuade her. I'll make them
come round."
Vaughan was so hurt and disappointed that he felt he could never smile
again.
But he did.
CHAPTER XXXII
TENSION
When the sisters came back from their drive Harry was sitting on the
little marble terrace reading _Count Florio and Phillis K._ and smoking
cigarettes. With almost conjugal unfairness he complained that Valentia
always went out just before he arrived. In fact, he had begged her to
get the visit over that afternoon, as he intended to be late.
Valentia sat down and began a lively account of "The Angles," but he
implored her not to describe those awful people at home, and
particularly not to tell him anything about that poisonous Belgian. Then
he told Val that blue didn't suit her, and, when she agreed with him,
petulantly complained that she had no ideas of her own.
"But I had an idea of my own; only now you say it's wrong."
"So it is. But, even if it is wrong, you should stick to it. You should
have more individuality."
"What an awful word," she said.
"What's the matter with the word?"
"Nothing. It's so long."
"You're talking nonsense, Valentia."
"Well, why shouldn't I talk nonsense? I'm sure I've heard you say
there's nothing so depressing as a woman with no nonsense about her."
"I know. But there needn't be nothing else."
"Harry, are you trying to quarrel? If so I'd better go away."
Public-domain text, read in full here on John Shaqi.
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