They penetrated the blue curtain of tobacco smoke which veiled the
cellar restaurant. People of all sorts were sitting at small, uncovered
wooden tables, which were painted green. There were long-haired
foreigners; there were rich American Jews. There were girls who looked
like "show girls" or chorus girls at least, companioned by fashionably
dressed and silly-faced boys. And all the company drank wine from oddly
shaped bottles, or beer out of stone or pewter "krugs." At the end of
the long, narrow room stood two huge casks, one on either side of a
small stage where three men in the costumes of Tyrolese peasants played
a zither, a 'cello, and a violin, for a gaily dressed boy and girl to
dance.
There were a number of tables still unoccupied, and of these a few were
free. O'Reilly chose one close to the entrance. Seated there, he and Clo
could see everybody who came in or went out. If they themselves wished
to leave in a hurry it would be a convenient place.
Clo could not even pretend to eat. She asked for strong coffee, and not
to be conspicuous O'Reilly ordered for himself beer, and food with an
odd, Russian sounding name. Having thus bought their right to the table,
he leaned across to the pale girl.
"The time's come when I can tell you what I think," he said. "First,
what I think of you. You're the bravest person I ever met, and the most
loyal. If the woman for whose sake you've done this is worthy of her
friend, why, I'll be on her side from this night on."
"Thank you," said Clo, meekly. She was very tired, but vitality flowed
through her newly at O'Reilly's words and look. "I don't deserve such a
compliment, but she deserves everything. If I've behaved badly to you,
it was for her."
"I know," said O'Reilly. "But you weren't precisely 'bad.' You were, on
the whole, rather--wonderful. How did you get out of my room with the
only door locked on the inside?"
"Oh!" the girl cried, surprised, "I thought you'd guess. I went along
the stone ledge under the window of your bedroom till I came to an open
window of a room in the next suite."
"I thought of that, when it was too late; but it seemed incredible."
"It wasn't as hard to do as I was afraid it would be," said Clo. "The
other window was open, the curtain was blowing out. I caught hold of it,
and got along somehow, through not looking down. Then in the room where
I went in, there was a man. He was at the door, and I scared him popping
in that way at the window, so he let me run past. That's all." Firmly
the girl closed the subject.
"Let's talk about the pearls," she said. "Peterson was a wicked man. I
can't pretend to be sorry he's been killed. He was acting for others
higher up. I want to find Kit, not because I think she murdered him, but
because I'm sure she's got the pearls. Who called out 'Come in!' in a
man's voice, when Peterson was dead? We haven't got time to discuss the
whole business before half-past eleven. Here comes my coffee! It's going
to give me new life!"
Public-domain text, read in full here on John Shaqi.
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