England -- Fiction; Man-woman relationships -- Fiction; Mothers and daughters -- Fiction; Paris (France) -- Fiction; Women -- Fiction
They had at last begun to talk, really--he in French, and she partly in
French and partly in English. It was her tears, or perhaps her gesture in
trying to master them, that had loosed their tongues. The ancient dog was
forgotten, and could not understand why. Audrey was excusably startled by
Musa's words and tone, and by the sudden change in his attitude. She
thought that his personal distinction at the moment was different from and
superior to any other in her experience. She had a comfortable feeling of
condescension towards Nick and towards Jane Foley. And at the same time she
blamed Musa, perceiving that as usual he was behaving like a child who
cannot grasp the great fact that life is very serious.
"Yes," she said. "That's all very fine, that is. You pretend this, that,
and the other. But why are you here? Why aren't you at work in Paris?
You've got the chance of a lifetime, and instead of staying at home and
practising hard and preparing yourself, you come gadding over to England
simply because there's a bit of money in your pocket!"
She was very young, and in the splendour of the magnificent morning she
looked the emblem of simplicity; but in her heart she was his mother, his
sole fount of wisdom and energy and shrewdness.
Pain showed in his sensitive features, and then appeal, and then a hot
determination.
"I came because I could not work," he said.
"Because you couldn't work? Why couldn't you work?" There was no yielding
in her hard voice.
"I don't know! I don't know! I suppose it is because you are not there,
because you have made yourself necessary to me; or," he corrected quickly,
"because _I_ have made you necessary to myself. Oh! I can practise for so
many hours per day. But it is useless. It is not authentic practice. I
think not of the music. It is as if some other person was playing, with my
arm, on my violin. I am not there. I am with you, where you are. It is the
same day after day, every day, every day. I am done for. I am convinced
that I am done for. These concerts will infallibly be my ruin, and I shall
be shamed before all Paris."
"And did you come to England to tell me this?"
"Yes."
She was relieved, for she had thought of another explanation of his
escapade, and had that explanation proved to be the true one, she was very
ready to make unpleasantness to the best of her ability. Nevertheless,
though relieved in one direction, she was gravely worried in another. She
had undertaken the job of setting Musa grandiosely on his artistic career,
and the difficulties of it were growing more and more complex and
redoubtable.
She said:
"But you seemed so jolly when you arrived last night. Nobody would have
guessed you had a care in the world."
Public-domain text, read in full here on John Shaqi.
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