England -- Fiction; Man-woman relationships -- Fiction; Mothers and daughters -- Fiction; Paris (France) -- Fiction; Women -- Fiction
Accidentally pushing against the front door with an elbow in the deep
obscurity, she discovered that it was not latched. This was quite contrary
to the plan. She stepped into the house. The unforeseeing simpleton had
actually come on the excursion without a box of matches! She felt her way,
aided by the swift returning memories of childhood, to the foot of the
stairs, and past the stairs into the kitchen, for in ancient days a
candlestick with a box of matches in it had always been kept on the ledge
of the small square window that gave light to the passage between the hall
and the kitchen. Her father had been most severely particular about that
candlestick (with matches) being-always ready on that ledge in case of his
need. Ridiculous, of course, to expect a candlestick to be still there!
Times change so. But she felt for it, and there it was, and the matches
too! She lit the candle. The dim scene thus revealed seemed strange enough
to her after the electricity of the Hôtel du Danube and of the yacht. It
made her want to cry....
She was one of those people who have room in their minds for all sorts of
things at once. And thus she could simultaneously be worried to an extreme
about Jane Foley, foolish and sad about her immensely distant childhood,
and even regretful that she had admitted the fraudulence of the
wedding-ring on her hand. On the last point she had a very strong sense of
failure and disillusion. When she had first donned a widow's bonnet she had
meant to have wondrous adventures and to hear marvellous conversations as a
widow. And what had she done with her widowhood after all? Nothing. She
could not but think that she ought to have kept it a little longer, on the
chance....
Aguilar made a practice of sleeping in the kitchen; he considered that a
house could only be well guarded at night from the ground floor. There was
his bed, in the corner against the brush and besom cupboard, all made up.
Its creaselessness, so characteristic of Aguilar, had not been disturbed.
The sight of the narrow bed made Audrey think what a strange existence was
the existence of Aguilar. ... Then, with a boldness that was half bluster,
she went upstairs, and the creaking of the woodwork was affrighting.
"Jane! Jane, dear!" she called out, as she arrived at the second-storey
landing. The sound of her voice was uncanny in the haunted stillness. All
Audrey's infancy floated up the well of the stairs and wrapped itself round
her and tightened her throat. She went along the passage to the door of the
tank-room.
"Jane, Jane!"
Public-domain text, read in full here on John Shaqi.
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