England -- Fiction; Man-woman relationships -- Fiction; Mothers and daughters -- Fiction; Paris (France) -- Fiction; Women -- Fiction
Audrey had to turn and join Miss Ingate in acknowledging the elaborate bow.
At any rate, then, Mr. Gilman had not been utterly estranged by her
capricious abandonment of him. And why should he be? He was a man of sense;
he would understand perfectly when she explained to-morrow. Further, he
was her slave. She was sure of him. She would apologise to him. She would
richly recompense him by smiles and honey and charming persuasive
simplicity. And he would see that with all her innocent and modest
ingenuousness she was capable of acting seriously and effectively in a
sudden crisis. She would rise higher in his esteem. As for the foreseen
proposal, well----
A sporadic clapping wakened her out of those reflections. The conductor
was approaching his desk. The orchestra applauded him. He tapped the desk
and raised his stick. And there was a loud noise, the thumping of her
heart. The concert had begun. Musa was still invisible--what was he doing
at that instant, somewhere behind?--but the concert had begun. Stars do not
take part in the first item of an orchestral concert. There is a convention
that they shall be preluded; and Musa was preluded by the overture to _Die
Meistersinger_. In the soft second section of the overture, a most
noticeable babble came from a stage-box. "Oh! It's the Foas," muttered Miss
Ingate. "What a lot of people are fussing around them!" "Hsh!" frowned
Audrey, outraged by the interruption. Madame Foa took about fifty bars in
which to settle herself, and Monsieur Foa chattered to people behind him as
freely as if he had been in a café Nobody seemed to mind.
The overture was applauded, but Madame Foa, instead of applauding, leaned
gracefully back, smiling, and waved somebody to the seat beside her.
Violent demonstrations from the gallery!... He was there, tripping down the
stepped pathway between the drums. The demonstrations grew general. The
orchestra applauded after its own fashion. He reached the conductor, smiled
at the conductor and bowed very admirably. He seemed to be absolutely at
his ease. Then there was a delay. The conductor's scores had got themselves
mixed up. It was dreadful. It was enough to make a woman shriek.
"I say!" said a voice in Audrey's ear. She turned as if shot. Mr. Cowl's
round face was close to hers. "I suppose you saw the _New York Herald_ this
morning."
"No," answered Audrey impatiently.
The orchestra started the Beethoven violin Concerto. But Mr. Cowl kept his
course.
"Didn't you?" he said. "About the Zacatecas Oil Corporation? It's under a
receivership. It's gone smash. I've had an idea for some time it would.
All due to these Mexican revolutions. I thought you might like to know."
Musa's bow hung firmly over the strings.
CHAPTER XLII
INTERVAL
Public-domain text, read in full here on John Shaqi.
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