"There are no results," said the ex-Queen, with a gay laugh and a shrug of her shoulders. "And I am told he has learned magic among the Africans, and brought home blackamoors and finer monkeys than my own. I object to nothing, since he assures me of his undying love for myself and the Protestant religion. I assure you, if he did not love the Protestant religion I should find no difficulty in renouncing him." "He was too well educated in his religion to forget it, madame," said the Princess Louise. "I am not to blame if it were otherwise. I assure you he knows his Heidelberg Catechism as well as any Doctor of Divinity, and the History of the Reformers is at his tongue’s end. I am not in health to go regularly to church, but my children go without omission, and they give me the points of the sermon in writing. I do my duty to them; and of Rupert I had once great hopes, for the first words he ever spoke were ’Praise the Lord,’ in the Bohemian tongue. After that, one does not readily think evil of a Prince." Every day Matilda adroitly induced such conversations; and once when the mother had talked herself into an enthusiasm, she said, "Come and I will show you some pictures of this Rupert. His sister Louise makes portraits quite equal to those of her master, Honthorst. I may tell you frankly, we have sold her pictures for bread often; they are said to be Honthorst’s, but most often they are the work of the Princess Louise. The poor child! she paints and she paints, and forgets that she is a Palatine Princess without a thaler for her wardrobe. Look at this portrait of Rupert! Is he not a big, sturdy boy? He was only four then, but he looks eight. How full of brave wonder are those eyes, as he looks out on the unknown world! And in this picture he is fourteen. He does not appear happy. No, but rather sad and uncertain, as if he had not found the world as pleasant as he expected. In this picture he is seventeen, gallant and handsome and smiling. He has begun to hope again,—perhaps to love. And look now on this face at twenty-nine; he has carried too heavy a burden for his age, done too much, suffered too much." Matilda knew the latter portrait well, its facsimile lay upon her heart; and though she did not say a word, it was impossible not to notice in all the painted faces that strange, haunting Stuart melancholy, which must have had its root in some sorrowful, unfathomable past.