The Literary History of the Adelphi and Its NeighbourhoodBrereton, Austin
History
The Literary History of the Adelphi and Its Neighbourhood
Brereton, Austin
Adelphi (London, England) -- History; Literary landmarks -- England -- London; London (England) -- History
At the southern end of Robert Street, through which Thomas Coutts
looked at the Surrey hills, there was, in modern times, the Caledonian
Hotel, which, with its hideous plaster front, was a blot upon the
surrounding architecture. This, in the late seventies of the last
century, was the meeting-place of the Savage Club. The "Savages" then
migrated to Lancaster House, Savoy, but in 1889 they returned to the
Adelphi, having taken the lease of their present premises, Nos. 6
and 7 Adelphi Terrace. Excepting that the beautiful ceiling of their
principal room is covered with whitewash, the rooms still contain much
of the Adams imprint. Next door, however, Garrick's house is little
changed; the ceiling in his drawing-room was painted by Antonio Zucchi,
A.R.A., Angelica Kauffmann's second husband, and it is in a splendid
state of preservation, as is the magnificent marble chimney-piece,
which is said to have cost £300--the rooms in which Mr and Mrs Garrick
died are now in the occupation of the Institution of Naval Architects.
King Edward VII. was an honorary life member of the Savage Club
from 1882 until his Accession in 1901. Honorary life members of the
present year of grace include the Prince of Wales, Earl Roberts, Lord
Kitchener, Mr Whitelaw Reid, and Mr Samuel L. Clemens (Mark Twain).
The treasurer and secretary--both of which posts are honorary--are Sir
James D. Linton, R.I., and Mr Edwin E. Peacock respectively. The club
is limited to five hundred town and one hundred country members.
One of the most notable residents of the Adelphi in modern times
was Mr Thomas Hardy, who, happily still with us, lived at No. 8
Adelphi Terrace in the years 1863-67. During that time, "I sat there
drawing," he wrote to a friend, who has kindly given me the privilege
of reproducing his words, "inside the eastern-most window of the
front room on the first floor above the ground floor, occasionally
varying the experience by idling on the balcony. I saw from there the
Embankment and Charing Cross Bridge built, and, of course, used to
think of Garrick and Johnson." Mr Hardy, who was born in 1840, was
then practising architecture under Sir A. Blomfield, A.R.A. The room
in which the future author of _Far from the Madding Crowd_ and _Tess
of the D'Urbervilles_ worked "contained at that date a fine Adams
mantel-piece in white marble, on which we used to sketch caricatures in
pencil."
Public-domain text, read in full here on John Shaqi.
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