The Literary History of the Adelphi and Its NeighbourhoodBrereton, Austin
History
The Literary History of the Adelphi and Its Neighbourhood
Brereton, Austin
Adelphi (London, England) -- History; Literary landmarks -- England -- London; London (England) -- History
The earliest mention that we have of Villiers Street is found in the
diary of the pious and amiable John Evelyn, who, on November 17, 1683,
sets down: "I took a house in Villiers Street, York Buildings, for
the winter, having many important concerns to dispatch, and for the
education of my daughters." Addison's friend, Sir Richard Steele, lived
here after the death of his wife, the jealous "Prue," in 1721, until
1724. While he was here, his last comedy, _The Conscious Lovers_,
was produced at Drury Lane, in 1722. There was a celebrated music
room in this street. The building, erected in 1680, was popular for
half a century, and was pulled down in 1758. It contained a beautiful
ceiling, painted by Verrio, which had been incorporated from York
House, and, as it could not be removed, it was, perforce, destroyed.
_The Fair Penitent_, _Jane Shore_, _The Beggar's Opera_, and other
well-known pieces were performed here. In the _Miscellanies_ of the
dramatist, Aaron Hill (1685-1750), is "A Prologue for the third night
of _Zara_"--which Hill had translated from Voltaire--"when first
played at the Great Musick Room, in Villars Street, York Buildings," in
1735. The representative of Lusignan--one of Garrick's best parts--a
gentleman named Bond, expired on the stage. At the first representation
of the piece, a young gentleman, a relation of the author's, attempted
the character of Osman, but without success, despite the great pains
taken at rehearsal by the adapter. _Zara_ was still more remarkable for
the appearance in it, at the age of twenty-five, of Mrs Cibber, who
subsequently achieved such great fame on the stage. Zara was her first
attempt in tragedy. On the sole authority of that wicked libeller and
scurrilous writer, "Anthony Pasquin," otherwise John Williams, "one
of the dirtiest and most disreputable fellows that ever disgraced the
literary profession," it has been related that Garrick, three years
before he appeared for the first time on the London stage, had acted
in the Duke's Theatre, and that "the ladies who were present were so
fascinated by Mr Garrick's powers that they offered him their trinkets
and their purses from the boxes." This is not so. Garrick did not play
before the public in London until October 19, 1741.
FOOTNOTES:
[Footnote 59: _Gentleman's Magazine_, August 1783, p. 709.]
[Footnote 60: _All Alive and Merry, or the London Daily Post_, April
18, 1741.]
[Footnote 61: _Haunted London_, p. 136.]
[Footnote 62: _London Past and Present_, vol. i., p. 296.]
[Footnote 63: _David Copperfield_, chap. xxiii.]
CHAPTER XII
Public-domain text, read in full here on John Shaqi.
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