The Literary History of the Adelphi and Its NeighbourhoodBrereton, Austin
History
The Literary History of the Adelphi and Its Neighbourhood
Brereton, Austin
Adelphi (London, England) -- History; Literary landmarks -- England -- London; London (England) -- History
"The last new tragedy, _Semiramis_,[35] has, though a bare translation,
met with great success. The prologue is a bad one, as you may read in
the papers, by the author: the epilogue is grave, but a sweet pretty
elegant morsel, by Mr Sheridan; it had deservedly great success. Mr
Mason's _Caractacus_[36] is not crowded, but the men of taste, and
classical men, admire it much. Mrs Garrick sends a large parcel of
love to you all. I send mine in the same bundle. Pray write soon, and
forgive me all my delinquencies." Writing to her sister in November,
on the eve of the production of _Percy_, Hannah More says: "It is
impossible to tell you of all the kindness and friendship of the
Garricks; he thinks of nothing, talks of nothing, writes of nothing
but _Percy_. He is too sanguine; it will have a fall, and so I tell
him. When Garrick had finished his prologue and epilogue (which are
excellent) he desired I would pay him. Dryden, he said, used to have
five guineas a piece, but as he was a richer man he would be content
if I would treat him with a handsome supper and a bottle of claret. We
haggled sadly about the price, I insisting that I could only afford to
give him a beefsteak and a pot of porter; and at about twelve we sat
down to some toast and honey, with which the temperate bard contented
himself. Several very great ones made interest to hear Garrick read the
play, which he peremptorily refused. I supped on Wednesday night at Sir
Joshua's, spent yesterday morning at the Chancellor's, and the evening
at Mrs Boscawen's, Lady Bathurst being of the party."
Then comes another note, from _Mr Garrick's study, Adelphi, ten at
night_: "He himself puts the pen into my hand, and bids me say that all
is just as it should be. Nothing was ever more warmly received. I went
with Mr and Mrs Garrick; sat in Mr Harris's box, in a snug dark corner,
and behaved very well, that is, very quietly. The prologue and epilogue
were received with bursts of applause; so indeed was the whole; as much
beyond my expectation as my deserts! Mr Garrick's kindness has been
unceasing."
[Illustration:
_Hollar._ 1630.
YORK HOUSE. YORK STAIRS. DURHAM HOUSE.]
_Percy_, it may be observed, was Hannah More's most important play. The
author had previously published a pastoral drama, _The Search after
Happiness_, for the edification of school children, and her tragedy,
_The Inflexible Captive_, was acted on one occasion in Bath. Her
fourth play, _The Fatal Falsehood_, failed, at Covent Garden, in 1779.
The success of _Percy_ was largely due to Garrick's friendly help.
Wroughton, "Gentleman" Lewis, and Mrs Crawford played the principal
parts. Garrick wrote the epilogue, as well as the prologue, and, by
the following lines from the latter, gave great offence to a French
lady, Mlle. D'Eon, a reputed natural daughter of Louis XV., who had a
"violent passion" for the military dress of an officer in preference to
the gown and petticoat of her own sex:
Public-domain text, read in full here on John Shaqi.
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