The Literary Remains of Samuel Taylor Coleridge, Volume 1Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 1
Coleridge, Samuel Taylor
Literature -- History and criticism
It is, probably, unjust to accuse the alchemists generally of dabbling
with attempts at magic in the common sense of the term. The supposed
exercise of magical power always involved some moral guilt, directly or
indirectly, as in stealing a piece of meat to lay on warts, touching
humours with the hand of an executed person, &c. Rites of this sort and
other practices of sorcery have always been regarded with trembling
abhorrence by all nations, even the most ignorant, as by the Africans,
the Hudson's Bay people and others. The alchemists were, no doubt, often
considered as dealers in art magic, and many of them were not unwilling
that such a belief should be prevalent; and the more earnest among them
evidently looked at their association of substances, fumigations, and
other chemical operations as merely ceremonial, and seem, therefore, to
have had a deeper meaning, that of evoking a latent power. It would be
profitable to make a collection of all the cases of cures by magical
charms and incantations; much useful information might, probably, be
derived from it; for it is to be observed that such rites are the form
in which medical knowledge would be preserved amongst a barbarous and
ignorant people.
[Footnote 1: From Mr. Green's note. Ed.]
Note. [1] June, 1827.
The apocryphal book of Tobit consists of a very simple, but beautiful
and interesting, family-memoir, into which some later Jewish poet or
fabulist of Alexandria wove the ridiculous and frigid machinery,
borrowed from the popular superstitions of the Greeks (though, probably,
of Egyptian origin), and accommodated, clumsily enough, to the purer
monotheism of the Mosaic law. The Rape of the Lock is another instance
of a simple tale thus enlarged at a later period, though in this case by
the same author, and with a very different result. Now unless Mr.
Hillhouse is Romanist enough to receive this nursery-tale garnish of a
domestic incident as grave history and holy writ, (for which, even from
learned Roman Catholics, he would gain more credit as a very obedient
child of the Church than as a biblical critic), he will find it no easy
matter to support this assertion of his by the passages of Scripture
here referred to, consistently with any sane interpretation of their
import and purpose.
I. The Fallen Spirits.
This is the mythological form, or, if you will, the symbolical
representation, of a profound idea necessary as the 'prae-suppositum' of
the Christian scheme, or a postulate of reason, indispensable, if we
would render the existence of a world of finites compatible with the
assumption of a super-mundane God, not one with the world. In short,
this idea is the condition under which alone the reason of man can
retain the doctrine of an infinite and absolute Being, and yet keep
clear of pantheism as exhibited by Benedict Spinosa.
II. The Egyptian Magicians.
Public-domain text, read in full here on John Shaqi.
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