The Literary Remains of Samuel Taylor Coleridge, Volume 1Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 1
Coleridge, Samuel Taylor
Literature -- History and criticism
I have been seduced into a dry discussion where I had intended only a
few amusing facts, in proof, that the mind makes the sense far more than
the senses make the mind. If I have life, and health, and leisure, I
purpose to compile from the works, memoirs, and transactions of the
different philosophical societies in Europe, from magazines, and the
rich store of medical and psychological publications, furnished by the
English, French, and German press, all the essays and cases that relate
to the human faculties under unusual circumstances, (for pathology is
the crucible of physiology), excluding such only as are not intelligible
without the symbols or terminology of science. These I would arrange
under the different senses and powers: as
the eye,
the ear,
the touch, &c.;
the imitative power, voluntary and automatic;
the imagination, or shaping and modifying power;
the fancy or the aggregative and associative power;
the understanding, or the regulative, substantiating, and realizing power;
the speculative reason, 'vis theoretica et scientifica', or the power,
by which we produce, or aim to produce, unity, necessity, and a
universality in all our knowledge by means of principles, [2]'a priori';
the will or practical reason;
the faculty of choice, ('Willkühr'), and
(distinct both from the moral will, and the choice),
the sensation of volition which I have found reason to include under the
head of single and double touch.
Thence I propose to make a new arrangement of madness, whether as
defect, or as excess, of any of these senses or faculties; and thus by
appropriate cases to shew the difference between;--
1. a man having lost his reason but not his senses or
understanding--that is, when he sees things as other men see
them,--adapts means to ends as other men would adapt them, and not
seldom, with more sagacity,--but his final end is altogether irrational:
2. his having lost his wits, that is, his understanding or judicial
power; but not his reason or the use of his senses,--(such was Don
Quixote; and, therefore, we love and reverence him, while we despise
Hudibras):
3. his being out of his senses, as in the case of a hypochondriac, to
whom his limbs appear to be of glass, although all his conduct is both
rational, or moral, and prudent:
4. Or the case may be a combination of all three, though I doubt the
existence of such a case, or of any two of them:
5. And lastly, it may be merely such an excess of sensation, as
overpowers and suspends all, which is frenzy or raving madness.
Public-domain text, read in full here on John Shaqi.
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