The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
By the circumstances here enumerated as so many predisposing causes,
Edmund's character might well be deemed already sufficiently explained;
and our minds prepared for it. But in this tragedy the story or fable
constrained Shakspeare to introduce wickedness in an outrageous form in
the persons of Regan and Goneril. He had read nature too heedfully not
to know, that courage, intellect, and strength of character, are the
most impressive forms of power, and that to power in itself, without
reference to any moral end, an inevitable admiration and complacency
appertains, whether it be displayed in the conquests of a Buonaparte or
Tamerlane, or in the foam and the thunder of a cataract. But in the
exhibition of such a character it was of the highest importance to
prevent the guilt from passing into utter monstrosity,--which again
depends on the presence or absence of causes and temptations sufficient
to account for the wickedness, without the necessity of recurring to a
thorough fiendishness of nature for its origination. For such are the
appointed relations of intellectual power to truth, and of truth to
goodness, that it becomes both morally and poetically unsafe to present
what is admirable,--what our nature compels us to admire--in the mind,
and what is most detestable in the heart, as co-existing in the same
individual without any apparent connection, or any modification of the
one by the other. That Shakspeare has in one instance, that of Iago,
approached to this, and that he has done it successfully, is, perhaps,
the most astonishing proof of his genius, and the opulence of its
resources. But in the present tragedy, in which he was compelled to
present a Goneril and a Regan, it was most carefully to be avoided;--and
therefore the only one conceivable addition to the inauspicious
influences on the preformation of Edmund's character is given, in the
information that all the kindly counteractions to the mischievous
feelings of shame, which might have been derived from co-domestication
with Edgar and their common father, had been cut off by his absence from
home, and foreign education from boyhood to the present time, and a
prospect of its continuance, as if to preclude all risk of his
interference with the father's views for the elder and legitimate son:--
He hath been out nine years, and away he shall again.
Act i. sc. 1.
'Cor.' Nothing, my lord.
'Lear.' Nothing?
'Cor.' Nothing.
'Lear.' Nothing can come of nothing: speak again.
'Cor.' Unhappy that I am, I cannot heave
My heart into my mouth: I love your majesty
According to my bond; nor more, nor less.
Public-domain text, read in full here on John Shaqi.
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