The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
This degrades Jonson into a libeller, instead of justifying him as a
dramatic poet. 'Non quod verum est, sed quod verisimile', is the
dramatist's rule. At all events, the poet who chooses transitory
manners, ought to content himself with transitory praise. If his object
be reputation, he ought not to expect fame. The utmost he can look
forwards to, is to be quoted by, and to enliven the writings of, an
antiquarian. Pistol, Nym and 'id genus omne', do not please us as
characters, but are endured as fantastic creations, foils to the native
wit of Falstaff.--I say wit emphatically; for this character so often
extolled as the masterpiece of humor, neither contains, nor was meant to
contain, any humor at all.
WHALLEY'S LIFE OF JONSON.
It is to the honor of Jonson's judgment, that 'the greatest poet of our
nation' had the same opinion of Donne's genius and wit; and hath
preserved part of him from perishing, by putting his thoughts and satire
into modern verse.
'Videlicet' Pope!
He said further to Drummond, Shakspeare wanted art, and sometimes sense;
for in one of his plays he brought in a number of men, saying they had
suffered shipwreck in Bohemia, where is no sea near by a hundred miles.
I have often thought Shakspeare justified in this seeming anachronism.
In Pagan times a single name of a German kingdom might well be supposed
to comprise a hundred miles more than at present. The truth is, these
notes of Drummond's are more disgraceful to himself than to Jonson. It
would be easy to conjecture how grossly Jonson must have been
misunderstood, and what he had said in jest, as of Hippocrates,
interpreted in earnest. But this is characteristic of a Scotchman; he
has no notion of a jest, unless you tell him--'This is a joke!'--and
still less of that finer shade of feeling, the half-and-half, in which
Englishmen naturally delight.
EVERY MAN OUT OF HIS HUMOUR.
Epilogue.
The throat of war be stopt within her land,
And _turtle-footed_ peace dance fairie rings
About her court.
'Turtle-footed' is a pretty word, a very pretty word: pray, what does it
mean? Doves, I presume, are not dancers; and the other sort of turtle,
land or sea, green-fat or hawksbill, would, I should suppose, succeed
better in slow minuets than in the brisk rondillo. In one sense, to be
sure, pigeons and ring-doves could not dance but with 'eclat'--'a claw?'
POETASTER.
Introduction.
Light! I salute thee, but with wounded nerves,
Wishing thy golden splendor pitchy darkness.
Public-domain text, read in full here on John Shaqi.
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