The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Dionusos. touto gar ou nikaesete.
Choros. oude maen haemas su pant_os.
Dionusos. oude maen humeis ge dae m' oudepote.]
THE DEVIL IS AN ASS.
Act I. sc. 1.
'Pug'. Why any: Fraud, Or Covetousness, or lady Vanity,
Or old Iniquity, _I'll call him hither_.
The words in italics [between undescores] should probably be given to
the master-devil, Satan. (Whalley's note.)
That is, against all probability, and with a (for Jonson) impossible
violation of character. The words plainly belong to Pug, and mark at
once his simpleness and his impatience.
Ib. sc. 4. Fitz-dottrel's soliloquy:-
Compare this exquisite piece of sense, satire, and sound philosophy in
1616 with Sir M. Hale's speech from the bench in a trial of a witch many
years afterwards. [1]
Act ii. sc. 1. Meercraft's speech:--
Sir, money's a whore, a bawd, a drudge.--
I doubt not that 'money' was the first word of the line, and has dropped
out:--
Money! Sir, money's a, &c.
[Footnote 1: In 1664, at Bury St. Edmonds on the trial of Rose Cullender
and Amy Duny. Ed.]
THE STAPLE OF NEWS.
Act IV. sc. 3. Pecunia's speech:--
No, he would ha' done,
That lay not in his power: he had the use
Of your bodies, Band and Wax, and sometimes Statute's.
Read (1815),
--he had the use of
Your bodies, &c.
Now, however, I doubt the legitimacy of my transposition of the 'of'
from the beginning of this latter line to the end of the one
preceding;--for though it facilitates the metre and reading of the
latter line, and is frequent in Massinger, this disjunction of the
preposition from its case seems to have been disallowed by Jonson.
Perhaps the better reading is--
O' your bodies, &c.--
the two syllables being slurred into one, or rather snatched, or sucked,
up into the emphasized 'your.' In all points of view, therefore, Ben's
judgment is just; for in this way, the line cannot be read, as metre,
without that strong and quick emphasis on 'your' which the sense
requires;--and had not the sense required an emphasis on 'your,' the
_tmesis_ of the sign of its cases 'of,' 'to,' &c. would destroy almost
all boundary between the dramatic verse and prose in comedy:--a lesson
not to be rash in conjectural amendments. 1818.
Ib. sc. 4.
'P. jun.' I love all men of virtue, _frommy_ Princess.--
'Frommy,' 'fromme', pious, dutiful, &c.
Act v. sc. 4. Penny-boy sen. and Porter:--
I dare not, will not, think that honest Ben had Lear in his mind in this
mock mad scene.
THE NEW INN.
Act I. sc. 1. Host's speech:--
A heavy purse, and then two turtles, _makes_.--
'Makes', frequent in old books, and even now used in some counties for
mates, or pairs.
Ib. sc. 3. Host's speech:--
--And for a leap
O' the vaulting horse, to _play_ the vaulting _house_.--
Public-domain text, read in full here on John Shaqi.
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