The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
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The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
These soft and silken wars are not for me:
The music must be shrill, and all confus'd,
That stirs my blood; and then I dance with arms.
What strange self-trumpeters and tongue-bullies all the brave soldiers
of Beaumont and Fletcher are! Yet I am inclined to think it was the
fashion of the age from the Soldier's speech in the Counter Scuffle; and
deeper than the fashion B. and F. did not fathom.
Ib. Speech of Lysippus:--
Yes, but this lady
Walks discontented, with her wat'ry eyes
Bent on the earth, &c.
Opulent as Shakspeare was, and of his opulence prodigal, he yet would
not have put this exquisite piece of poetry in the mouth of a
no-character, or as addressed to a Melantius. I wish that B. and F. had
written poems instead of tragedies.
Ib.
'Mel'. I might run fiercely, not more hastily, Upon my foe.
Read
I might run more fiercely, not more hastily.--
Ib. Speech of Calianax:--
Office! I would I could put it off! I am sure I sweat quite through my
office!
The syllable _off_ reminds the testy statesman of his robe, and he
carries on the image.
Ib. Speech of Melantius:--
--Would that blood,
That sea of blood, that I have lost in fight, &c.
All B. and F.'s generals are pugilists, or cudgel-fighters, that boast
of their bottom and of the _claret_ they have shed.
Ib. The Masque;--Cinthia's speech:--
But I will give a greater state and glory,
And raise to time a _noble_ memory
Of what these lovers are.
I suspect that 'nobler,' pronounced as 'nobiler'--[Symbol (metrical):
U-=shape below the line]--, was the poet's word, and that the accent is
to be placed on the penultimate of 'memory.' As to the passage--
Yet, while our reign lasts, let us stretch our power, &c.
removed from the text of Cinthia's speech by these foolish editors as
unworthy of B. and F.--the first eight lines are not worse, and the last
couplet incomparably better, than the stanza retained.
Act ii. Amintor's speech:--
Oh, thou hast nam'd a word, that wipes away
All thoughts revengeful! In that sacred name,
'The king,' there lies a terror.
It is worth noticing that of the three greatest tragedians, Massinger
was a democrat, Beaumont and Fletcher the most servile _jure divino_
royalist, and Shakspeare a philosopher;--if aught personal, an
aristocrat.
A KING AND NO KING.
Act IV. Speech of Tigranes:--
She, that forgat the greatness of her grief
And miseries, that must follow such mad passions,
Endless and wild _as_ women! &c.
Seward's note and suggestion of 'in.'
Public-domain text, read in full here on John Shaqi.
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