The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Yet if you play not fair, above-board too, I'll tell you what--I've a
foolish engine here:--I say no more--But if your Honor's guts are not
enchanted--
Licentious as the comic metre of B. and F. is,--a far more lawless, and
yet far less happy, imitation of the rhythm of animated talk in real
life than Massinger's--still it is made worse than it really is by
ignorance of the halves, thirds, and two-thirds of a line which B. and
F. adopted from the Italian and Spanish dramatists. Thus in Rutilio's
speech:--
Though I confess
Any man would desire to have her, and by any means, &c.
Correct the whole passage--
Though I confess
Any man would Desire to have her, and by any means,
At any rate too, yet this common hangman
That hath whipt off a /THOUsand maids' HEADS/ already--
That he should glean the harvest, sticks in my stomach!
[Between the two /, upper-case syllables have the stress, written as a
horizontal line above them in the original text, and lower-case
syllables are unstressed, written as a u-shape (the u-symbol previously
described) above them. text Ed.]
In all comic metres the gulping of short syllables, and the abbreviation
of syllables ordinarily long by the rapid pronunciation of eagerness and
vehemence, are not so much a license, as a law,--a faithful copy of
nature, and let them be read characteristically, the times will be found
nearly equal. Thus the three words marked above make a 'choriambus'--u u
--, or perhaps a 'paeon primus'--u u u; a dactyl, by virtue of comic
rapidity, being only equal to an iambus when distinctly pronounced. I
have no doubt that all B. and F.'s works might be safely corrected by
attention to this rule, and that the editor is entitled to
transpositions of all kinds, and to not a few omissions. For the rule of
the metre once lost--what was to restrain the actors from interpolation?
THE ELDER BROTHER
Act I. sc. 2. Charles's speech:--
--For what concerns tillage,
Who better can deliver it than Virgil
In his Georgicks? and to cure your herds,
His Bucolicks is a master-piece.
Fletcher was too good a scholar to fall into so gross a blunder, as
Messrs. Sympson and Colman suppose. I read the passage thus:--
--For what concerns tillage,
Who better can deliver it than Virgil,
In his /GeORGicks/, _or_ to cure your herds;
(His Bucolicks are a master-piece.)
But when, &c.
Jealous of Virgil's honor, he is afraid lest, by referring to the
Georgics alone, he might be understood as undervaluing the preceding
work. 'Not that I do not admire the Bucolics, too, in their way:--But
when, &c.'
Act iii. sc. 3. Charles's speech:--
--She has a face looks like a _story_;
The _story_ of the heavens looks very like her.
Seward reads 'glory;' and Theobald quotes from Philaster--
That reads the story of a woman's face.--
Public-domain text, read in full here on John Shaqi.
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