The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
It is in this sense that Jove's jealous, ever-quarrelsome, spouse
represents the political sacerdotal 'cultus', the church, in short, of
republican paganism;--a church by law established for the mere purposes
of the particular state, unennobled by the consciousness of
instrumentality to higher purposes;--at once unenlightened and unchecked
by revelation. Most gratefully ought we to acknowledge that since the
completion of our constitution in 1688, we may, with unflattering truth,
elucidate the spirit and character of such a church by the contrast of
the institution, to which England owes the larger portion of its
superiority in that, in which alone superiority is an unmixed
blessing,--the diffused cultivation of its inhabitants. But previously
to this period, I shall offend no enlightened man if I say without
distinction of parties--'intra muros peccatur et extra';--that the
history of Christendom presents us with too many illustrations of this
Junonian jealousy, this factious harrassing of the sovereign power as
soon as the latter betrayed any symptoms of a disposition to its true
policy, namely, to privilege and perpetuate that which is best,--to
tolerate the tolerable,--and to restrain none but those who would
restrain all, and subjugate even the state itself. But while truth
extorts this confession, it, at the same time, requires that it should
be accompanied by an avowal of the fact, that the spirit is a relic of
Paganism; and with a bitter smile would an Æschylus or a Plato in the
shades, listen to a Gibbon or a Hume vaunting the mild and tolerant
spirit of the state religions of ancient Greece or Rome. Here we have
the sense of Jove's intrigues with Europa, Io, &c. whom the god, in his
own nature a general lover, had successively taken under his protection.
And here, too, see the full appropriateness of this part of the
'mythus', in which symbol fades away into allegory, but yet in reference
to the working cause, as grounded in humanity, and always existing
either actually or potentially, and thus never ceases wholly to be a
symbol or tautegory.
Prometheus represents,
1. 'sensu generali', Idea [Greek: pronomos,] and in this sense he is a
[Greek: 'theos homophulos'], a fellow-tribesman both of the 'dii
majores', with Jove at their head, and of the Titans or 'dii pacati':
2. He represents Idea [Greek: 'philonomos, nomodeiktaes';] and in this
sense the former friend and counsellor of Jove or 'Nous uranius':
Public-domain text, read in full here on John Shaqi.
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