The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
This speech is singular;--at least, I do not at present see into
Shakspeare's motive, his _rationale_, or in what point of view he meant
Brutus' character to appear. For surely--(this I mean is what I say to
myself, with my present _quantum_ of insight, only modified by my
experience in how many instances I have ripened into a perception of
beauties, where I had before descried faults;) surely, nothing can seem
more discordant with our historical preconceptions of Brutus, or more
lowering to the intellect of the Stoico-Platonic tyrannicide, than the
tenets here attributed to him--to him, the stern Roman republican;
namely,--that he would have no objection to a king, or to Cæsar, a
monarch in Rome, would Cæsar but be as good a monarch as he now seems
disposed to be! How, too, could Brutus say that he found no personal
cause--none in Cæsar's past conduct as a man? Had he not passed the
Rubicon? Had he not entered Rome as a conqueror? Had he not placed his
Gauls in the Senate?--Shakspeare, it may be said, has not brought these
things forwards.--True;--and this is just the ground of my perplexity.
What character did Shakspeare mean his Brutus to be?
Ib. Speech of Brutus:--
For if thou _path_, thy native semblance on--
Surely, there need be no scruple in treating this 'path' as a mere
misprint or mis-script for 'put.' In what place does Shakspeare,--where
does any other writer of the same age--use 'path' as a verb for 'walk?'
Ib. sc. 2. Caesar's speech:--
She dreamt last night, she saw my _statue_--
No doubt, it should be _statua_, as in the same age, they more often
pronounced 'heroes' as a trisyllable than dissyllable. A modern tragic
poet would have written,--
Last night she dreamt, that she my statue saw--
But Shakspeare never avails himself of the supposed license of
transposition, merely for the metre. There is always some logic either
of thought or passion to justify it.
Act iii. sc. 1. Antony's speech:--
Pardon me, Julius--here wast thou bay'd, brave hart;
Here didst thou fall, and here thy hunters stand
Sign'd in thy spoil, and crimson'd in thy death.
_O world! thou wast the forest to this hart,
And this, indeed, O world! the heart of thee._
Public-domain text, read in full here on John Shaqi.
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