The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
In the purely historical plays, the history forms the plot; in the
mixed, it directs it; in the rest, as Macbeth, Hamlet, Cymbeline, Lear,
it subserves it. But, however unsuited to the stage this drama may be,
God forbid that even there it should fall dead on the hearts of
Jacobinized Englishmen! Then, indeed, we might say--'præteriit gloria
mundi'! For the spirit of patriotic reminiscence is the all-permeating
soul of this noble work. It is, perhaps, the most purely historical of
Shakspeare's dramas. There are not in it, as in the others, characters
introduced merely for the purpose of giving a greater individuality and
realness, as in the comic parts of Henry IV., by presenting, as it were,
our very selves. Shakspeare avails himself of every opportunity to
effect the great object of the historic drama, that, namely, of
familiarizing the people to the great names of their country, and
thereby of exciting a steady patriotism, a love of just liberty, and a
respect for all those fundamental institutions of social life, which
bind men together:--
This royal throne of kings, this scepter'd isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise;
This fortress, built by nature for herself,
Against infection, and the hand of war;
This happy breed of men, this little world;
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a home,
Against the envy of less happier lands;
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear'd by their breed, and famous by their birth, &c.
Add the famous passage in King John:--
This England never did, nor ever shall,
Lie at the proud foot of a conqueror,
But when it first did help to wound itself.
Now these her princes are come home again,
Come the three corners of the world in arms,
And we shall shock them: nought shall make us rue,
If England to itself do rest but true.
And it certainly seems that Shakspeare's historic dramas produced a very
deep effect on the minds of the English people, and in earlier times
they were familiar even to the least informed of all ranks, according to
the relation of Bishop Corbett. Marlborough, we know, was not ashamed to
confess that his principal acquaintance with English history was derived
from them; and I believe that a large part of the information as to our
old names and achievements even now abroad is due, directly or
indirectly, to Shakspeare.
Public-domain text, read in full here on John Shaqi.
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