The literature of kissing : $b gleaned from history, poetry, fiction, and anecdoteBombaugh, Charles C. (Charles Carroll)
History
The literature of kissing : $b gleaned from history, poetry, fiction, and anecdote
Bombaugh, Charles C. (Charles Carroll)
Kissing
“When she came to herself, she was surrounded by the soldiers of the
watch. They carried away the captain, bathed in his blood; the priest had
disappeared (the window at the end of the room, looking on the river,
was wide open); a cloak was picked up which they supposed belonged to
the officer, and she heard it said around her, ‘She is a witch that has
stabbed a captain.’”
The thrilling narrative proceeds with the imprisonment of the poor girl,
the false confession of murder and witchcraft extorted by the terrible
torture of rack and screw and pincer, the visit of the archdeacon, and
his extraordinary confession of maddening love. In the course of his long
and fervid and impetuous appeal for her favor, he says:
“‘Oh, I had not foreseen the torture! Listen: I followed thee into that
chamber of agony; I looked upon thy rough treatment by the torturer’s
infamous hands. I saw thy foot, which to kiss and die at I would give an
empire, I saw it crushed by the horrible irons which have made of living
limbs raw flesh and a pool of blood. While I beheld this, I wielded under
my gown a dagger, with which I furrowed my breast. At the scream thou
gavest, I buried it in my flesh; look, it still bleeds.’”
“‘Oh, to love a woman, to be a priest, to be hated! to love her with
all the fury of one’s soul, to be willing to give for the least of her
smiles one’s blood, salvation, immortality and eternity, this life and
the other; to regret not being a king, genius, emperor, archangel, that a
greater slave might be at her feet; to have her mingling day and night in
one’s thoughts and dreams; and to see her enamored of a soldier’s livery,
and only have to offer her a priest’s coarse gown which is frightful
to and detested by her! To be present with rage and jealousy while she
lavishes on a despicable, empty-brained dog her treasures of love and
beauty! To see that body whose sight makes you burn, that bosom so
peerless, that satin flesh redden under another’s kisses! Oh, to love her
arms and neck, to think of her blue veins visible through her brown skin,
almost to writhe whole nights through on the pavement of one’s cell, and
see all the caresses dreamed of end with the torture!’”
The priest’s nightly dreams, we are told, were dreadful. Writhing on his
bed, “his delirious fancy represented Esmeralda in all the attitudes
that could make blood boil in one’s veins. He saw her as when he had
stabbed the captain, her white throat spotted with the blood of Phœbus,
when the archdeacon had impressed on her shoulders that kiss which,
though half dying then, she had felt scorch her.” One night he became so
inflamed with his uncontrollable passion that he sought relief by a visit
to the gipsy’s cell, to which he had access. His entrance awakened and
bewildered her.
“‘Oh, the priest,’ said she, in a faint voice.
Public-domain text, read in full here on John Shaqi.
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