The literature of kissing : $b gleaned from history, poetry, fiction, and anecdoteBombaugh, Charles C. (Charles Carroll)
History
The literature of kissing : $b gleaned from history, poetry, fiction, and anecdote
Bombaugh, Charles C. (Charles Carroll)
Kissing
“A young gentleman and a young lady a-kissing of each other in the
railway coach,” says Hannah, jerking up with her finger to the ceiling,
as much as to say, “There she is! Lar, she be a pretty young creature,
that she be! and so I told Miss Martha.” Thus differently had the news
which had come to them on the previous night affected the old lady and
her maid.
The news was that Miss Newcome’s maid (a giddy thing from the country,
who had not even learned as yet to hold her tongue) had announced with
giggling delight to Lady Ann’s maid that Mr. Clive had given Miss Ethel
a kiss in the tunnel, and she supposed it was a match.
Clive, we are told, did not know whether to laugh or to be in a rage over
this report. He evidently felt called upon, however, to swear that he was
as innocent of all intention of kissing Miss Ethel as of embracing Queen
Elizabeth.
AN AMOROUS WESTERN YOUTH.
A young Montana chap upon stepping aboard of a sleeping-car thus
addressed the conductor:
“See here, captain, I want one of your best bunks for this young woman,
and one for myself individually. _One_ will do for us when we get to
the Bluff,—hey, Mariar?” (Here he gave a playful poke at “Mariar,” to
which she replied, “Now, John, quit.”) “For, you see, we’re goin’ to git
married at Mariar’s uncle’s. We might ’a bin married at Montanny, but
we took a habit to wait till we got to the Bluff, bein’ Mariar’s uncle
is a minister, and they charge a goshfired price for hitchin’ folks at
Montanny.”
“Mariar” was assigned to one of the best “bunks.” During a stoppage of
the train at a station, the voice of John was heard in pleading accents,
unconscious that the train had stopped, and that his tones could be heard
throughout the car:
“Now, Mariar, you might give a feller jes one.”
“John, you quit, or I’ll git out right here, and hoof it back to Montanny
in the snow-storm.”
“Only one little kiss, Mariar, and I hope to die if I don’t——”
“John——!”
At this moment an old gray-beard poked his head out of his berth, at the
other end of the car, and cried out,
“Maria, for pity’s sake, _give_ John one kiss, so that we can go to sleep
sometime to-night!”
Thereupon John subsided, and retired to his berth to dream of the
distinction between the hesitancy of the kiss of courtship and the
freedom of the kiss connubial.
LOVE IN A STREET-CAR.
A Baltimore writer narrates the following amusing incident:
Public-domain text, read in full here on John Shaqi.
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