Celtic literature -- History and criticism; Ireland -- In literature
Voluminous and various are its contents, culled from about sixty-six
different authors, the whole extending to 11,000 lines of Gaelic poetry,
with 800 in the genuine Ossianic style. The pieces vary from
half-a-dozen to a hundred lines. And a peculiarity of the Ossianic
fragments in this MS. is the frequent introduction of St. Patrick, who
is represented as holding dialogues with the bard. Seeing that in the
poems of Macpherson the saint never emerges, it is surmised that he
regarded all references to him as unauthentic, interpolations of later
times, when the Church ideas and dogmas crept into vogue. The Dean’s
collection is divided naturally into two parts, one more ancient and
untouched by Christian sentiment, the other more modern, and not free
from ecclesiastical leaven. To the former category belong those poems
superscribed “The author of this is Ossian,” and of these the finest is
the bard’s eulogy of his father Finn. “The ideal here set forth is
perfectly Homeric,” wrote Professor Blackie; “Achilles in his best
moments and most favourable aspect might have stood for it.”
In its English rendering, which is poetically inferior to the original,
it runs thus:—
’Twas yesterday week,
I last saw Finn;
Ne’er did I see
A braver man;
Teige’s daughter’s son,
A powerful King;
My fortune, my light,
My mind’s whole might.
Both poet and chief,
Braver than kings,
Firm chief of the Feinn
Lord of all lands,
Leviathan at sea,
As great on land,
Hawk of the air,
Foremost always,
Generous, just.
Despised a lie,
Of vigorous deeds,
First in song,
A righteous judge,
Firm his rule,
Polished his mien,
Who knew but victory,
Who is like him,
In fight or song?
Resists the foe
In house or field.
Marble his skin,
The rose his cheeks,
Blue was his eye,
His hair like gold.
All men’s trust,
Of noble mind,
Of ready deeds,
To women mild,
A giant he,
The field’s delight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account