Celtic literature -- History and criticism; Ireland -- In literature
It is this which lends the fascination to students of comparative
mythology and to the folk-lorist. What seems arrant nonsense and the
height of absurdity to ordinary intelligence, lures them on to seek in
these wild stories for the origins of belief, for the early conceptions
which influenced men in their religion and in their life. Removed from
primitive man by centuries of progress, and ruled as we are by a
scientific view of the world, it is hard for us to put ourselves at the
centre of vision and standpoint of our early ancestors, to whom the
facts of life were more confused than they appear to us, and in a manner
more uncanny and mysterious. Like the savage of to-day, judging from
their myths, they conceived all things as animated and personal, capable
of endless interchange of form. Men might become beasts, beasts might
change into men. Even the gods appeared in human or bestial forms.
Animals, plants, stones, earth, winds and waters, spoke and acted like
human beings, changing their shapes accordingly.
This is the very essence of myth and fairy tale. Or as Professor Max
Müller has expressed it, “What makes mythology mythological in the true
sense of the word is what is utterly unintelligible, absurd, strange, or
miraculous.”
What appears most incredible and repugnant, the ugly blots and scars of
these narratives are just the problems to men of science. How to account
for them? How to explain their origin? Over this, contending schools are
constantly engaged in a kind of guerilla warfare. Leaving the
archæologists to pursue their own studies among the material
“survivals,” the philologists and anthropologists take opposite sides
each in defence of his own particular theory.
Briefly stated, the difference between them is this: the philologists
maintain that language—language as it were in a state of disease—is the
great source of the mythology of the world. Professor Max Müller held
this view and gave it a widely accepted vogue. The ugly scars he
explained as due to the old words and popular sayings lingering on in a
language after their original harmless and symbolic meanings had been
lost. Thus what might have been originally a poetical remark about
nature, might in process of time be interpreted colloquially and become
an obscene, brutal, or vulgar myth. To go no further afield than the
Hebrew sacred writings, when we think of an impassioned apostrophe to
the sun, and the subsequent popular legend that the sun and the moon
stood still, we see that the philologist argument is not without force
and cogency.
Public-domain text, read in full here on John Shaqi.
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