Celtic literature -- History and criticism; Ireland -- In literature
Late that evening Culand inquired if any more were expected, and on
receiving a reply in the negative, he closed the doors and let loose the
house-dog. No sooner was the place thus shut up for the night than the
boy Setanta arrived, and was set on by the dog. A fierce struggle
followed, but the youth got the better of his canine assailant and laid
him lifeless. For this loss Culand demanded _eric_. Unable to pay,
Setanta offered to watch the house himself until a pup of its slain
guardian grew up. Hence the name Cu-Chulaind, that is, Culand’s dog, by
which he was subsequently known. So runs the myth.
Afterwards, with the consent of his mother, he paid a visit to his uncle
the king. Happening to arrive at Emania when the boys were playing
shinty, the mischievous frolics began to throw their balls and _camags_
at him. Whereupon Cuchulinn’s “war-rage seized him,” and “he shut one
eye till it was not wider than the eye of a needle; he opened the other
till it was bigger than the mouth of a meal goblet.” No wonder that the
terrified youngsters fled in every direction.
Presently King Conchobar recognised his nephew when he presented himself
at the Court, and he introduced him to his youthful compeers. Suitable
arms, a suitable chariot and charioteer were given him, and he soon
proved himself a unique warrior.
The women of Ulster admired him “for his splendour at the feat, for the
nimbleness of his leap, for the excellence of his wisdom, for the melody
of his language, for the beauty of his face, and for the loveliness of
his look.” “There were seven pupils in his royal eyes, four in the one
and three in the other; seven fingers on each of his two hands, and
seven toes on each of his two feet.” “I should think,” says the writer
of one text, “it was a shower of pearls that was flung into his head.
Blacker than the side of a black cooking-spit, each of his two eyebrows,
redder than ruby his lips.”
He was too young, too daring, too beautiful, in the opinion of the
chiefs, to be a gallant unwed; for their women and maidens loved him
greatly. So they took counsel with the king to have him married.
Emissaries were sent to the courts and princes of all Erin in quest of a
partner whom it might please Cuchulinn to woo, but they returned after a
year unsuccessful.
Left to fend for himself, the hero got ready his chariot and set out for
the house of Forgaill of Lusk, whose daughter Eimer was renowned for the
six victories she had upon her: the gift of beauty, the gift of voice,
the gift of music, the gift of embroidery and all needlework, and the
gifts of wisdom and virtuous chastity. In the pleasure-ground of the
mansion, surrounded by the fair daughters of the neighbouring chiefs and
men of wealth, the lady descried the famous chariot in the distance, and
one of her maidens describes the appearance of the horses, the chariot,
charioteer, and hero. The latter she reports thus:—
Within the chariot a dark sad man, comeliest of the men of Erin.
Public-domain text, read in full here on John Shaqi.
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