Celtic literature -- History and criticism; Ireland -- In literature
But no sooner had Cormac and Fionn rallied than they perceived how they
were duped, and, raging desperately, they vowed vengeance against the
absent pair. Organising a party for pursuit, the jilted lover
immediately set out to scour the country. In this search he sent forward
advance parties of his swiftest and best men in every direction.
Apparently to little purpose at first, for Diarmad was a favourite with
his brethren-in-arms, and the peculiar circumstances of the elopement
invested it with such an element of romance, and of sympathy on the part
of the young heroes, that those in pursuit never could discover the
retreat of the lovers. Even if Fionn himself did happen to get on their
track, he was thwarted by means of some wonderful stratagem on the part
of Diarmad.
Such is the outline of “The Pursuit of Diarmad and Grainne,” a pursuit
which extended all over Erin. In the course of its narration in the
original a large amount of curious information on social manners,
ancient tales, superstitions, topography, and the natural products of
different parts, is introduced. The absconding pair were caught at last,
but the Fenian heroes would not permit Fionn to punish Diarmad.
Ultimately, the chief had his own peculiar revenge. When at the hunt of
the magic boar Diarmad killed that formidable quarry, and escaped
scatheless, with sinister intention Fionn asked him to measure its
length against the bristles. In doing so Diarmad’s foot, his only
vulnerable part, was pierced by one of the poisonous points. And
although Fionn could have restored him by a draught from his life-giving
shell, he would not. Thus died the hapless Diarmad O’Duibhne, an officer
of fine person and most fascinating manners. Famous in family annals
too, for from him the Campbells trace their descent. Not only does he
figure in their genealogical tree,[25] but the Dukes of Argyll still
have the boar’s head on their coat-of-arms.
The “Lay of Diarmad” has for generations been very popular. There are
various versions of it. Pattison’s English rendering is mainly from the
text in Maccallum’s collection. Fionn afterwards repenting that he did
not save his young rival, lamented thus:—
Alas, that, said Fionn, for a woman
I’ve slain my own sister’s son—
For an ill woman slain him! too noble
To be slain for the loveliest one.
Sad stood the heroes beside thee,
O youth of the noble race;
And dim grew the eyes of each maiden
When the mould went over thy face.
And now like the tree, I stand lonely—
Wither’d and wasted and sear;
With the rude howling tempest to tear me,
Where the shade of no green bough is near.
Public-domain text, read in full here on John Shaqi.
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