Celtic literature -- History and criticism; Ireland -- In literature
I. The first and immediate influence was doubtless to arrest its
progress. After ages of apparent barrenness, the genius of the
Gaelic-speaking peoples had at length produced the germ of a literature
which in the days of St Patrick and St. Columba took root and began to
grow. For well-nigh four centuries it had gone on developing in a most
promising way. The quiet and leisure of the monasteries furnished the
atmosphere most suitable for its inception and subsequent growth. These
religious retreats were then the centres of learning and nurseries of
thought, and many men were arising within their sacred walls who had a
genuine love and taste for writing—a love so great that they were not
merely content with copying books, composing poems, or writing history,
but they embellished them in a way which has excited the admiration of
modern times.
Gaelic literature both in Ireland and Scotland was thus bidding fair to
yield a rich and abundant harvest when the blight of the Norse invasion
fell suddenly upon it, and effectually hindered its farther advance for
several centuries. The history of literary work in every age and country
shows that it is mostly in times of peace that this delicate plant
flourishes. In the stormier periods, when wars are waged, changes
frequent, and a spirit of unrest abroad, production of books is rare or
even non-existent.
When the Celts themselves were a warrior race, living for the most part
by the sword, and migrating from land to land, they had no literature
that we know of. The conditions of life were not such that men could
quietly cultivate the art and practice of writing. Life was too full of
change, too turbulent, and too uncertain.
Similarly the Norsemen during the Viking age, till they gained a
peaceful retreat in Iceland, were no litterateurs. Sailing and fighting
were more exciting, and with these the habits of the scribe or of the
author were not entirely compatible. And so when the tide of invasion
burst upon the monasteries of Ireland and Scotland, when rest from
strife and security from change could no longer be had, authorship, if
it did not entirely cease, became more rare and spasmodic. This is
particularly true of Scotland, for with the exception of the Book of
Deer, with its Latin contents of the ninth century, and its Gaelic
entries written towards the end of the Viking period, we have nothing to
show, of known Scottish origin, from the beginning to the end of these
incursions. Ireland was more fortunate in that in spite of invasion her
literary output was more continuous, especially in the department of
poetry.
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