Celtic literature -- History and criticism; Ireland -- In literature
The grass grew thick by the streamlet brink,
And he lighted down off his horse to drink.
The Corrigaun sat by the fountain fair,
A-combing her long and yellow hair;
A-combing her hair with a comb of gold—
(Not poor, I trow, are those maidens cold)—
Now who’s the bold wight that dares come here
To trouble my fairy fountain clear?
Either thou straight shalt wed with me
Or pine for four long years and three,
Or dead in three days’ space shalt be.
This proposal he spurned, asserting that he was already married, and
would die on the spot ere he would take a Corrigaun to wife. Her spell
she cast, and instantly he feels sick. On return he bids his mother make
his bed, for in three days she would hear his passing-bell, but adjures
her never to tell the tale to his bride. The three days expire, and the
latter inquires of her mother-in-law why the Church bells toll and the
priests chant in the street below, all clad in their white vestments? “A
strange poor man had died,” was the evasive answer. Then she asks
whither her husband had gone, and on being assured he would soon be
back, the unsuspecting lady concerns herself with the kind of gown she
would wear for her churching. Said her mother-in-law:—
“The fashion of late, my child, hath grown,
That women for churching black should don.”
And then:—
As through the churchyard porch she stept
She saw the grave where her husband slept.
And the dialogue proceeds:—
“Who of our blood is lately dead
That our ground is new raked and spread?”
“The truth I may no more forbear,
My son—your own poor lord—lies there.”
She threw herself on her knees amain,
And from her knees ne’er rose again.
That night they laid her, dead and cold
Beside her lord beneath the mould;
When lo!—a marvel to behold!—
Next morn from the grave two oak trees fair
Shot lusty boughs into the air;
And in their boughs—oh wondrous sight—
Two happy doves all snowy white—
That sang as ever the morn did rise
And then flew up—into the skies.
In addition to the songs, Villemarqué published _The Breton Bards of the
Sixth Century_, but Renan preferred the songs as by far the better.
Public-domain text, read in full here on John Shaqi.
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