Celtic literature -- History and criticism; Ireland -- In literature
“Sing, birds o’ the land, in merry strain,
You died not far from your own Bretayne.”
Besides these narrative ballads, Brittany produced at various periods
idyllic songs and religious canticles.
As for Cornwall, whose dialect is now extinct, she never produced much
of a Celtic literature. What there is still extant is preserved in MSS.
of the fifteenth century, representing possibly all the ancient
literature she ever had, and dates from that or the preceding fourteenth
century. These pieces consist of one poem, entitled “Mount Calvary,” and
three dramas, or miracle plays, with nothing distinctly Celtic about
them save the language. With the exception of these and another drama of
the seventeenth century (1611), and the Lord’s Prayer translated, the
obsolete and defunct Cornish dialect has no literature to show, and
therefore is not concerned in the special Celtic revivals characteristic
of the literature in the other dialects. A translation of the ancient
dramas from the original Cornish has been made and published thirty
years ago by Edwin Norris. Their value now is almost solely linguistic.
“The last survivor of those who spoke in their youth pure Cornish is
said to have been Dolly Pentreath of Mousehole near Penzance, who died
in 1778, aged 102. And even she would not have talked Cornish in her
youth if she had not lived in one of the few parishes along the coasts
of Mount’s Bay and St Ive’s Bay, and a few districts to the west of
those bays, where alone at the beginning of the last century
(eighteenth) the ancient dialect existed.” (Morley’s _English Writers_,
vol. i. p. 750.)
After the brilliant medieval renaissance came another period of
inactivity and decline. From the sixteenth century it is true that a new
series of poets and prose writers began to arrive in the different
Celtic nationalities. In Ireland, during the first half of the
seventeenth century, there was quite a distinguished recrudescence of
national scholarship, associated with the names of Geoffrey Keating, the
Four Masters, and Duald Mac Firbis, all of whom were prose writers of
eminence; and in the Highlands of Scotland flourished Mary Macleod and
her contemporaries.
But we must come down to the period immediately following the Forty-five
to encounter a more general and splendid resuscitation.
Public-domain text, read in full here on John Shaqi.
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