Celtic literature -- History and criticism; Ireland -- In literature
The Keppoch bard first came into prominence as a man to be reckoned
with, in connection with the murder of his chief, which, it is said he
foresaw, but was unable to avert. Sent abroad as a minor to be educated,
the heir of Keppoch was supplanted in his absence by his own faithless
and intriguing cousins, who murdered both him and his brother on their
return home. The dastardly crime rankled in the bosom of the fiery bard.
Among the faithless clansmen he alone remained fearlessly true to the
stricken family, and he determined to have revenge. “The Vow of Iain
Lom,” published in Mrs. D. Ogilvy’s _Highland Minstrelsy_, graphically
depicts his state of mind at the time. He went from house to house, and
castle to castle, calling for vengeance on the assassins, and having at
last obtained a commission from Government to take them dead or alive,
he first addressed himself to Glengarry, who declined the dangerous
task, and then to Sir Alexander Macdonald, who put a company of chosen
men at his disposal, the “Ciaran Mabach,” poet and soldier, at their
head.
Under the Keppoch bard’s directions the murderers were summarily
attacked and beheaded in their own barricaded house. A gruesome monument
of seven heads, representing those of the father and six sons, now marks
the well on Loch Oich side, known as _Tobar-nan-ceann_, where these
bleeding trophies are said to have been washed on their way to Glengarry
Castle, whence they were carried to Skye as a tribute to the Knight of
Sleat.
The bard has a poem on “Mort na Ceapach,” the murder of Keppoch; and
another entitled “A Bhean Leasaich,” in which he begins by praising Sir
Alexander Macdonald of Sleat and his son Sir James, evidently with the
intention of provoking Glengarry for his remissness in the matter of
retribution upon the usurpers. His own persecution by the traitors
furnished the poet with another theme. From this time he became a man of
mark in the Highlands, feared and respected. Though not a soldier
himself, when the Civil War broke out he identified himself with the
cause of the Stuarts, and was the means of bringing the armies of Argyll
and Montrose into deadly conflict at Inverlochy on February 2nd, 1645.
The wily John, a willing spectator, evaded taking a personal hand in the
encounter by the following ruse. When asked to make ready to march to
the fight, by the Macdonald commanding the Irish contingent, he slyly
replied, “If I go along with thee to-day, and fall in battle, who will
sing thy praises to-morrow? Go thou, Alasdair, and exert thyself as
usual, and I shall sing thy feats, and celebrate thy prowess in martial
strains.”
Public-domain text, read in full here on John Shaqi.
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