Celtic literature -- History and criticism; Ireland -- In literature
While English printing concerned itself first with such works as _The
Game and Playe of the Chesse_, _The Dictes and Sayings of Philosophers_,
_The Æneid of Virgil_, _The Poems of Chaucer_, _Lydgate and Gower_, _The
Golden Legend_, and the _Morte d’Arthur_, Gaelic printing took to do
with religion. Knox’s Liturgy, Catechisms, Psalters, and Vocabularies
were its main concern; and only after the lapse of nearly two hundred
years did it give any attention to poetry or native literature of any
kind. The original bards, like all other English and foreign writers,
had to wait in the outer court of the Gentiles. But after Baxter’s _Call
to the Unconverted_ was issued in 1750 they began to come straggling in,
Mackellar with his hymns and Macdonald with his songs. And in addition
to Dugald Buchanan’s and Macintyre’s we have, during the following half
century, these books:—
A volume of Hymns published in 1770 by Macfadyen, a Glasgow University
student; and about the same time an Elegy and one or two other Gaelic
poems by another Glasgow student. Ronald Macdonald, son of Alexander,
published the first issue of old Gaelic poems, including some of his own
and his father’s, in 1776. Then followed in 1777 an anonymous collection
of Mirthful Songs, and in 1780 another of Curious ones; and a volume
entitled _Loudin’s Songs_.
John Brown’s, Margaret Cameron’s, and A. Campbell’s appeared in 1785;
and next year the better known collections of John Gillies, bookseller,
Perth, and Duncan Kennedy, schoolmaster, Kilmelford.
In 1787 Dr. Smith published his alleged poems of Ossian, Orran, Ullin,
etc., and those entitled _Dargo and Gaul_. And before the century closed
Kenneth Mackenzie’s, Alexander Macpherson’s, Duncan Campbell’s, and
Allan Macdougall’s compositions were all in type, issued separately.
The subsequent years, from 1800 to 1831, were most prolific in the
output of poetical publications. It seemed as if the Highland bards had
made a rival rush for the printing presses, and kept the busy machines
clicking. Among the names of those whose poems were then issued occur
the following: Dr. Dewar, Rob. Donn, William Gordon, George Ross Gordon,
Peter Grant, Angus Kennedy, A. and J. Maccallum, J. Macdonald, John
Macgregor, Dr. James Macgregor, P. Macfarlane, D. Macintosh, A. Mackay,
J. Maclachlan, J. Maclean, D. Macleod, D. Matheson, J. Morrison, James
Munro, A. and D. Stewart, R. Stewart, P. Stuart, P. Turner. And in
addition to theirs, and some other ten volumes of anonymous poetry,
partly original and partly collected, there were published within that
period the Highland Society’s edition of Ossian’s poems, and its
reprint, the one in London, 3 volumes, 1807, the other in Edinburgh,
1818.
If the Gaelic muse was at first slow in committing its productions to
modern printing, it appears to have cast off all reserve after 1800, and
every type of bardic effusion went to the press.
Public-domain text, read in full here on John Shaqi.
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