The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present dayMacNeill, Nigel
History
The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present day
MacNeill, Nigel
Scottish Gaelic literature -- History and criticism
In the seventeenth century we had the silver age, and about the
middle of last century the golden age of modern Gaelic poetry.
Singers of original power appeared in every part of the country. Of
these Alexander Macdonald was the first and the greatest. From the
wilds of the Ardnamurchan regions he poured forth his imperishable
strains. After him Duncan Macintyre comes next, the poet-hunter
of Glenorchay. From the heart of central Argyll and Breadalbane
he sent forth unique and inimitable songs. In the grand wilds of
Perthshire Dugald Buchanan, the sacred bard of Rannoch, was writing
his sublime poems on such awful themes as the “Judgement” and the
“Passion” of the God-man. In the far North Robert Mackay, the
famous Sutherlandshire herd, was gladdening the firesides, of a
happy peasantry—whose descendants are now in Canada—with his witty
and satiric compositions. In the West the delicate and fine-fibred
William Ross began to sing soon after these, his sweet lays of love
and sorrow. Jacobite rebellions no doubt stirred up the Highland
heart at this period; and in the midst of the political ferment of
the times the muse appears to have thrown her choicest mantle on
receptive spirits among the people to give song-utterance to their
emotional aspirations. In the poetry of Macdonald, Mackay, and
Macintyre, we see the greatest bards of modern times. It is difficult
to decide which of the first and last mentioned is the greater
poet—Mackay is not regarded as equal to either. As far as the works
of preceding bards could help their poetic culture their minds were
moulded by the same influences.
But in regard to ordinary education it must be remembered that
Macdonald was for some time at a University, while Macintyre was
never able to write. In their descriptions of outward nature their
poetry shows very much like equal power, while the note of the one is
not always distinguishable from that of the other. But the passionate
depth of the one has no echo in the sweeter and gentler nature of the
other. Each in his own way is a mighty singer of whom any country
might be proud. And it is remarkable that both should be Argyllshire
singers.
Public-domain text, read in full here on John Shaqi.
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