The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present dayMacNeill, Nigel
History
The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present day
MacNeill, Nigel
Scottish Gaelic literature -- History and criticism
_The Praise of the Lion_ is a fiery appeal to the Scottish
nationality. The Jacobite cause is the theme of many of his songs,
Prince Charles being sometimes personified under female names,
such as “Morag.” In his love songs Macdonald is sweet, tender,
and musical, rough though his muse is at other times. His “Praise
of Morag,” in a sort of _piobrachd_ measure, is powerful; but
composed under such conditions as Burns wrote “Mary in Heaven,”
Macdonald’s lawful spouse became alarmed and jealous. At once he
turns to “Dispraising Morag,” which he works out elaborately with
Mephistophelian ardour and spirit, regardless of all poetic justice
and decency. “The Resurrection of the Gaelic Tongue” is a powerful
poem, celebrating the antiquity and supreme excellence of the
language of the Gael.
As specimens of the sweet and tender in Macdonald’s poetry, let us
take a verse or two from his fine piece, _The Sugar Brook_. He has
done for this insignificant burn what Burns has done for the Doon
and Gray for the Luggie. He describes the different birds tuning
their little throats in the morning to take up the several parts
assigned to them in the great harmonic chorus of nature. He hears
the rich treble of Robin, the deep bass of Richard, the “goo-goo” of
the cuckoo; while on a stake apart from the rest the thrush sings
lustily, and the blythesome brown wren and the vieing linnet tune up
their choicest strings. The blackcock croaks, and the hen sings her
hoarse response. Then come the fishes, the bees, and the frisking
calves, the milkmaid and the herdsman, to fill up a scene already
sufficiently gorgeous. There also—
The wailing swans their murmurs blend
With birds that float and sing;
Where joins the Sugar Brook the sea
Their tuneful voices ring.
Softly sweet they bend and breathe
Through their melodious throat,
Like the crooked bagpipes’ wailing strain,
A sad but pleasing note.
The following two stanzas are very fine in the original, and Pattison
has very successfully rendered them into English:—
O! dainty is the graving work
By Nature near thee wrought!
Whose fertile banks with shining flowers
And pallid buds are fraught.
The shamrock and the daisy
Spread o’er thy borders fair,
Like new-made spangles, or like stars,
From out the frosty air.
Ah! what a charming sight display
The ruddy rosy braes,
When sunbeams dye their flowers as bright
As brilliants all ablaze:
And what a civil suit they wear
Of ribgrass and of hay,
And gay-topt herbs, o’er which the birds
Pour forth their pompous lay.
Public-domain text, read in full here on John Shaqi.
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