The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present dayMacNeill, Nigel
History
The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present day
MacNeill, Nigel
Scottish Gaelic literature -- History and criticism
The _Danes in Islay_ is not the only _cath_ or battle that the bard
has sought to immortalise in tough classical Celtic. We have also
several vigorous poems on the battles of Scotland’s earlier struggles
for independence. Livingston’s muse is nearly wholly of a martial
order, which, while it explains his want of popularity among what
he would regard as a somewhat effeminate generation, is the more
remarkable when it is remembered how purely sentimental the most of
his contemporary bards have been. The titles of three other poems
are—_The Battle of Mona Phraca_, _The Battle of Dail-righ_—regarded
as his best—and that of _Tra-Ghruinard_, where the great Sir Lachlan
MacLean of Duart fell, pierced by the fatal shaft of the dwarf
_Dubh-Shee_, who offered services the Knight of Duart despised. The
dwarf is described by the bard in pretty expressive terms—“_Treoich
a ghuir an Diabhul ’san Lag an Diura!_” The best of all his poems is
the 100 lines (the number was limited) prize poem on the achievements
of the Highland regiments in the Crimean war. There is nothing
better, and not many poems equal to it in the whole range of Celtic
poetry. The best-known of his poems is _Fios thun a’ Bhaird_, or
Word to the Bard, supposed to have been sent to him in Glasgow from
a farmer’s wife in Islay, the late Mrs Blair, of Lonban, who showed
much kindness to the bard when on a visit to his native island, and
whose son is the popular minister, the Rev. Robert Blair, who was a
constant friend of Livingston, and who edited the complete edition of
his works (1881). In this delightful poem he describes in stanzas of
great beauty and tenderness the changes that have taken place, the
ruins of the depopulated districts, and the natural scenery of the
island. The following are the opening stanzas of the _Message to the
Bard_:—
The morn is bright with sunshine,
And soft the west wind sighs;
The loch is calm and quiet,
Since peace reigns in the skies.
Bedecked with canvas gaily,
Barks glide unwearily;
To the Bard rehearse the story
Of these things I hear and see.
This is the month of blossom,
When the herds of cattle go
To the glens of lonely corries,
Where they neither reap nor sow.
But in these green-clad inches
My kine now never be:
To the Bard rehearse the story
Of these things I hear and see.
On heathy heights in thousands
Stray flocks of kine and sheep;
And deer rush o’er the wild steeps
Where freshening breezes sweep—
The noble antlered race
Bedewed that tread the hills with glee,
To the Bard rehearse the story
Of these things I hear and see.
Public-domain text, read in full here on John Shaqi.
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