The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present dayMacNeill, Nigel
History
The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present day
MacNeill, Nigel
Scottish Gaelic literature -- History and criticism
Notwithstanding his exceeding patriotism it cannot be said that
Livingston was either very generous or magnanimous. While haunted
with painful suspicions he allowed the canker of vindictiveness to
mar the finer elements of his nature. His envy also rendered him
almost intolerable to all his Highland literary friends in Glasgow.
But these, as one of them once remarked, could afford to prize all
that was good in the bard and overlook his shortcomings. When this
friend was dying William came to ask his forgiveness, which he was
assured he had, with the remark, “William, my ghost will not trouble
you.” This gentleman knew the bard’s selfish motive in asking pardon,
and the superstitious reason for his so doing. Notwithstanding all
this, the man was not many days in his grave when the bard began to
attack him in a scurrilous letter in the newspapers, which, however,
was not inserted. He might be described as a Celtic brother of
Walter Savage Landor, whom he resembled in several respects. But the
sphere of life in which Livingston was born, and his want of early
education, ought to make us charitable in our judgments of the savage
element of his character. It must be acknowledged, at the same time,
that beneath the barbarian patriotism of his nature there lay a depth
of tenderness and warmth of a grateful heart, which we discern in
several of his pieces on individual persons. There can be no doubt,
also, that many of his eccentricities arose from finding himself out
of joint in the social world, where mere patriotism or poetic talent
cannot frequently obtain the means or influence which self-conscious
spirits so hopelessly look for.
_Blar Shunadail_, a piece of considerable length and merit, was
published in _The Gael_ after his death. The only other piece of
importance is _Driod-fhoitan Imhir an Racain_, a poem of five or six
hundred lines long.
Public-domain text, read in full here on John Shaqi.
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