The Literature of the Old TestamentMoore, George Foot
Religion
The Literature of the Old Testament
Moore, George Foot
Bible. Old Testament -- Introductions
It is not enough to say that Kings was written under the influence of
Deuteronomy; it was written, we might rather say, as a commentary on
the deuteronomic doctrine that falling away from the national religion
is punished by national disaster. In this point of view it resembles
Judges; but while in Judges it is the lapse into Canaanite heathenism,
the worship of the Baals and Astartes, which draws upon Israel
invasion and subjugation, in Kings not only foreign religions but the
worship at the high places, that is, the worship of Jehovah at his
oldest and holiest sanctuaries, provokes the wrath of God; for since
the dedication of Solomon's temple Jehovah had made it his exclusive
abode and all other places of worship were illegitimate. We have seen
that down to Josiah's reform this worship prevailed unchallenged in
both kingdoms. In the author's view, generation after generation,
under bad kings and good, had thus sinned against the organic law of
religion, and all judgments had failed to work amendment. In Israel
idolatry made the case worse; the "golden calves," that is, the small
images of Jehovah in the form of a bull, which Jeroboam had set up at
Bethel and Dan, were worshipped under all his successors. These sins
had in the end brought ruin on Israel, and they were bringing it on
Judah. Manasseh had done even worse than Jeroboam; strange gods from
near and far were installed in the temple itself, and under its walls
men sacrificed their children to "the King" (Moloch). Josiah's reforms
had no lasting results; the reaction under his successors restored the
high places, and heathen cults flourished again. The doom was
imminent; would Judah learn the lesson of history before it was too
late? Some one has said that history is philosophy teaching by
example; for the author of Kings history was prophecy teaching by
example.
It was the lesson of the history that the author was after, and this
ruling motive determined his selection of material as well as the
treatment of it. It explains why he hardly tells anything about some
of the greatest kings and the most glorious periods of the history,
which did not afford illustrations of his thesis, while he dwells on
things of much less historical importance.
Public-domain text, read in full here on John Shaqi.
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