Phil took up the bit of silver she had placed beside the thimble and the ring, and looked it over critically. "Well, I'll declare!" he exclaimed. "That was Aunt Patricia's old shilling! I'd swear to it. See the way the hole is punched, just between those two ugly old heads? And I remember the dent just below the date. Looks as if some one had tried to bite it. Aunt Patricia used to keep it in her treasure-box with her gold beads and other keepsakes." The old Colonel, who had once had a fad for collecting coins, and owned a large assortment, held out his hand for it. Adjusting his glasses, he examined it carefully. "Ah! Most interesting," he observed. "Coined in the reign of 'Bloody Mary,' and bearing the heads of Queen Mary and King Philip. You remember this shilling is mentioned in Butler's 'Hudibras:' "'Still amorous and fond and billing, Like Philip and Mary on a shilling.' "You couldn't have a more appropriate token for your cake, my dear," he said to Eugenia with a smile. Then he laid it on the table, and taking up his papers, passed back into his den. "That's the first time I ever heard my name in a poem," said Phil. "By rights I ought to draw that shilling in my share of cake. If I do I shall take it as a sign that history is going to repeat itself, and shall look around for a ladye-love named Mary. Now I know a dozen songs with that name, and such things always come in handy when 'a frog he would a-wooing go,' There's 'My Highland Mary' and 'Mary of Argyle,' and 'Mistress Mary, quite contrary,' and 'Mary, call the cattle home, across the sands of Dee!'" As he rattled thoughtlessly on, nothing was farther from his thoughts than the self-conscious little Mary just behind him. Nobody saw her face grow red, however, for Lloyd's exclamation over the last token made every one crowd around her to see. It was a small heart-shaped charm of crystal, probably intended for a watch-fob. There was a four-leaf clover, somehow mysteriously imbedded in the centre. "That ought to be doubly lucky," said Eugenia. "Oh, _what_ a dear Stuart was to take so much trouble to get the very nicest things. They couldn't be more suitable." "Eugenia," asked Betty, "have you thought of that other rhyme that brides always consider? You know you should wear "'Something old, something new, Something borrowed, something blue.'" "Yes, Eliot insisted on that, too. The whole outfit will, itself, be something new, the lace that was on my mother's wedding-gown will be the something old. I thought I'd borrow a hairpin apiece from you girls, and I haven't decided yet about the something blue." "No," objected Lloyd. "The borrowed articles ought to be something really valuable. Let me lend you my little pearl clasps to fasten your veil, and then for the something blue, there is your turquoise butterfly. You can slip it on somewhere, undah the folds of lace."