"I don't see what ever put such a silly thing into my head," said Mary,
finally, beginning to feel mortified as she realized what an excitement
she had created for nothing.
"It was Rob's talking about people who live a regular cat and dog life,"
said Betty. "Don't you remember how long we talked about it to-day down
in the clover-patch?"
"You mean yesterday," prompted Phil from the hall, "for it's nearly
morning now. And, Mary, I'll tell you why you had it. It's a warning! A
solemn warning! It means that you must never, never marry."
"That's what I thought, too," quavered Mary, so seriously that they all
laughed again.
"I hope everybody will excuse me for waking them up," called Mary, as
they began to disperse to their rooms. "Oh, dear!" she added to Joyce,
as she lay back once more on her pillow. "Why is it that I am always
doing such mortifying things! I am _so_ ashamed of myself."
The lights went out again, and after a few final giggles from Lloyd and
Betty, silence settled once more over the house. But the terror of the
nightmare had taken such hold upon Mary that she could not close her
eyes.
"Joyce," she whispered, "do you mind if I come over into your bed? I'm
nearly paralyzed, I'm so scared again."
Slipping across the floor as soon as Joyce had given a sleepy consent,
Mary crept in beside her sister in the narrow bed, and lay so still she
scarcely breathed, for fear of disturbing her. Presently she reached out
and gently clasped the end of Joyce's long plait of hair. It was
comforting to be so near her. But even that failed to convince her
entirely that the dream was a thing of imagination. It seemed so real,
that several times before she fell asleep she laid her hands against her
face to make sure that her fingers had not developed claws, and that no
fur had started to grow on them.
The dreams told around the breakfast-table next morning seemed tame in
comparison to Mary's recital the night before. Rob had had none at all,
which was interpreted to mean that he would live and die an old
bachelor. Miles Bradford had a dim recollection of being in an
automobile with a girl who seemed to be a sort of a human kaleidoscope,
for her face changed as the dream progressed, until she had looked like
every woman he ever knew. They could think of no interpretation for that
dream. Lloyd's was fully as indefinite.
"I thought I was making a cake," she said, "and there was a big bowl of
eggs on the table. But every time I started to break one Mom Beck would
say, 'Don't do that, honey. Don't you see it is somebody's haid?' And
suah enough, every egg I took up had somebody's face on it, like those
painted Eastah eggs; Rob's, and Phil's, and Malcolm's, and Doctah
Bradford's, and evah so many I'd nevah seen befoah."
"A very appropriate dream for a Queen of Hearts," said Phil, "and
anybody can see it's only a repetition of Mammy Easter's fortune, the
'row of lovahs in the teacup.' Tell us which one you are going to
choose."
Public-domain text, read in full here on John Shaqi.
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