"'I used to wish daily that Stuart could be with us. He is the most satisfactory of travelling companions, but I didn't know how very much I wished it until one day in Venice. Papa was asleep at the hotel, and I was so lonely that I started out by myself to explore. I left a message with the clerk that I had gone to vespers at Saint Mark's Cathedral. There was a crowd of tourists in the square in front of the cathedral, feeding the pigeons. Hearing their English speech after so many months of nothing but foreign tongues made me homesick. In the whole plaza, no one but myself seemed to be alone. They were walking in groups or couples, and everybody seemed so gay and happy that I was glad to cross over to the cathedral to get out of sight. "'The vesper service had just begun, and I stood inside the door listening to the chanting of the monks' voices, and getting more homesick every moment. Just as the tears were ready to brim over, I looked up, and there in the dim light beside me stood Stuart. I thought I must be dreaming, but it was a very happy dream, for I felt that I could never be homesick or unhappy again when he looked down and smiled. "'I couldn't believe that I was awake and that he was really there, until we got outside the cathedral and he began to talk. Then he told me that he had gone to the hotel, and they had given him the message I had left for papa. It never occurred to me to wonder why he had come to Venice. It just seemed so natural and lovely that he should be there that I never even asked him why. He called a gondola, and we got in and went drifting down the canals under the bridges and past the old palaces, with the sunset turning everything around us to rose-colour and gold. Oh, I can't begin to tell you how perfectly heavenly it all was. There was a new moon in the sky when we turned back to the hotel, and, though Stuart _hadn't_ proposed in the same way that Laurie did to Amy in "Little Women," he had told me why he came so far to find me, and I liked his way a great deal better than Laurie's.