Hundreds of plays are presented in the state every year. Home talent plays are generally greeted with great crowds everywhere. Everybody “likes ’em.” Operettas are popular because large casts of characters are necessary to produce them. And besides everybody likes to see his offspring, relative, or friend take part. It is human nature to see what is in a person. The audiences are always enthusiastic and appreciative. The repertoire consists of comedies, classical plays, Christmas festivals, pantomimes, operettas, and May fetes. The community without a play is one without a leader. In a great many towns and rural districts the play, the picnic, and the Christmas festival are annual affairs. It is doubtful whether anything proves so popular with the vast majority of people as a real play staged by honest-to-goodness country folks. It also unconsciously brings out a spirit of leadership. These few facts which were gathered by the cast during the day, coupled with other information secured before and after the tour, tell one something, perhaps not much, about the social life of country people in a prairie state. The experiences encountered during the forty-day sojourn were interesting, to say the least. The audiences ranged in size from twenty-six persons to seven hundred. A county fair or circus admission of fifty cents for adults and twenty-five for children was charged. Sometimes the audiences were made up of cowboys, or cow-punchers, as the Westerners say. In one community two hundred sheep herders saw the play. In another, lignite coal miners and their families witnessed the production. For the most part the halls were filled with wheat growers and dairymen and their kin. With a few possible exceptions the crowds were rural in their complexion. Out in the extreme western part of the state the lights balked and the play never started until nine forty-five in the evening. In one town a thirteen dollar and fifty cent crowd enjoyed the comedy. It was necessary to purchase a bolt of chocolate colored cambric in another place, because only one screen could be found in the whole community. The cambric was used as a background and the screen for a left wing. The back of a piano with the American flag drooped over it served as the right wing. Old-fashioned acetylene lamps gave the necessary light. A large dry goods box was used for a ticket stand. Planks resting on saw horses satisfied the crowd so far as a seating arrangement was concerned. Social functions frequently followed the presentation of the play. After paying all expenses, the profits on the forty town road tour amounted to six dollars and sixty-seven cents. The tour showed that people actually like plays. It carried the drama to the people. COLD SPRING HOLLOW