British -- France -- Fiction; French -- England -- Fiction; Love stories
“See what a naughty little mother I have, monsieur Bradley,” she
exclaimed. “She pretends always to forget that I do not like my
afternoon coffee made with chicory. In the morning, yes; I admit it;
later in the day, no. Ah, Maman! no excuses!! _Je vous connais._ Economy
is the motive!—She has never escaped the fear that unless one saves all
one’s _sous_ one may die in indigence.”
“Chicory, Blanche? What do you say of chicory?” the old lady inquired,
leaning an ear towards her grandchild. “_Mais c’est très sain, la
chicorée. Ca rafraichit le sang._—If you drink chicory every day in
your coffee”—and now it was an eye she turned, half closed in sagacious
admonition, on the startled Giles—“you will not need to purge yourself,
my young man.”
“_Fi donc, Grand’mère!_ We do not talk of _l’hygiène_ now!” laughed
mademoiselle Fontaine.
“Ah, it is a thing never to forget,” said madame Dumont. “If Chopin had
not neglected his health, how many more works of genius he would have
given to the world.—He was my master, did I tell you, monsieur
Gillet?”—mademoiselle Fontaine had not succeeded in conveying Giles’s
name to her in a retainable form. “I had great talent for the piano. It
was said to me, when I chose the theatre as a career, that it was one I
chose and one I threw away.—You have heard of George Sand in England?”
Giles said that they heard of her.
“_Femme exécrable!_” madame Dumont exclaimed. “_Femme sans cœur!_ How
many lives did she not destroy!”
“Ah, but I am always on the side of the woman, when it comes to _les
affaires de cœur_,” said mademoiselle Fontaine, with a smile at Giles.
“We are so often the losers that I feel a certain satisfaction when a
woman, even if ruthlessly, redresses the balance. And with all its
romanticism, what a great talent it was, that of the good George! Do not
say too much ill of her.”
“Good! You can call a woman good who tricks one lover under the nose of
the other! Do you forget Pagello and Alfred de Musset!” cried madame
Dumont. “As for Musset; let it pass; he was not one to be pitied.—But
Chopin! A man as simple as a child. _Non. C’était un monstre!_” madame
Dumont declared.
“And I will leave you to tell monsieur Giles what you think of George
Sand while I ask mademoiselle Alix to come upstairs with me and see a
new dress that has come from Paris,” said mademoiselle Blanche, thus
further demonstrating her intelligence to Giles, for indeed madame
Dumont’s reminiscences had begun to make him uneasy.
Alix had picked up the friendly “fox” and was giving scant attention;
but once her impeding presence was removed, madame Dumont’s recitals
took on a disconcerting raciness and when, presently, madame Collet
gathered together the tea-things and carried away the tray, the old
lady, as if she had bided her time, lurched towards Giles, with a
terrible leering smile, to whisper: “_Elle est belle, n’est-ce pas,
madame Vervier?_”
“_Très belle_,” said Giles, drawing away a little.
Public-domain text, read in full here on John Shaqi.
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