British -- France -- Fiction; French -- England -- Fiction; Love stories
“Oh—our hostess would be able to meet even that contingency,” said
André with, perhaps, the slightest flavour of irony. “A daughter, with
us, knows too well that she may trust her mother to do the best for her
happiness.”
But, as Giles remained sitting on, hearing in the drawing-room the low
murmur of consultation and André’s repeated “_Je suis désolé_,” it
became disastrously clear to him that, more than Maman’s intended
accommodations of the truth, Alix would resent André’s admission to
Maman’s confidence. How, indeed, could she interpret that?
The murmur in the drawing-room ceased, madame Vervier rose and went
upstairs, and, before André could rejoin him, Giles had taken refuge in
his own room. He could not face André; he could not face monsieur de
Maubert, or madame Vervier herself, again that evening. None of them,
not even madame Vervier, could see as he saw the disaster that had
befallen his poor little friend. He leaned at his window feeling hot and
sick, but even here, though the windows of Alix’s room had been closed,
the voices of mother and daughter came to him through the flimsy barrier
of the wall. He could not hear the words, but in their sharp passionate
rhythm he discerned what the words must be. “Why to him, Maman! What are
his rights! He was a stranger to us when I left you!”
But madame Vervier would, indeed, never lack resource. Unready as she
must feel herself to face this further predicament, Giles heard the
muffled murmur of her voice, rising, falling, expostulating; urgent,
tender, invulnerable. She would find answers to everything. Or was it
that there were some questions her child would not ask of her? When, at
last, she ceased, there was no reply. He heard that Alix was crying.
CHAPTER XIII
Next day, his last at Les Chardonnerets, dawned high, blue, beautiful,
and looking out at sunrise Giles saw his wonderful hostess, as he had
seen her on his first morning, walking back to the house across the
grassy cliffs, wrapped in her bathing-robe. She came slowly. Her tread
had not the buoyancy of the first day. Her head was bent; she meditated
gravely. But she made him think of a goddess who had sought inspiration
and sustainment from immersion in her own elements of sunlight and
sea-water. Power breathed from her as she moved, and Giles, looking out
at her, was filled with a deep yet beautiful sadness. It was like
looking at a goddess. Madame Vervier seemed separated from him by
thousands of years. She might have been a figure of myth and legend
walking there, the outlines of her ruffled hair all haloed by the
sunlight, her white arm crossed upon her breast.
Public-domain text, read in full here on John Shaqi.
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