British -- France -- Fiction; French -- England -- Fiction; Love stories
“But what is it you don’t understand, Toppie!” Giles exclaimed, and he
heard that it was with irrepressible fretfulness. He felt it so unfair
that he should be displayed to Toppie as creeping and dingy when all
that he was trying for was to shield her from any hurt. Yet that there
was another reason for his fretfulness, he knew. His loyalty to madame
Vervier had betrayed him to too much ardour. Ardour had been in his
voice. And Toppie must have heard it.
“That you should say such different things of Owen’s friend,” Toppie
replied at once. “You contradict yourself. It’s as if you were hiding
something from me.”
Poor Giles. His hat-brim was drawn down, but that could not conceal from
Toppie the helpless red that surged up over his face and neck as he
heard these words. He felt it rise, the burning, dark confusion, while,
with sudden fear and sickness of heart, he groped for an answer. And her
blow had been so sudden and unlooked for that the only answer that came
was as helpless as his blush, “I’m sure I don’t know what you mean. What
could there be to hide?”
But there was no escape for him in Toppie’s gaze. Giles, his eyes fixed
on the heather, felt it dwell upon him, and when, at last, she looked
away, it was as if she had seen the falsity between them. And all that
she said, in accents of snow, was: “I’m sure I don’t know. Perhaps you
will tell me.”
“Toppie, this is absurd, you know,” Giles muttered, staring down. “You
put me in a ridiculous position. It upsets one, naturally, to be
cross-questioned as if one were a shifty witness in the witness-box.
People are complicated and contradictory creatures. One can’t draw a
consistent picture of them. On one side of her nature madame Vervier may
be weak and erring and on the other she may be like a goddess. How do I
know? I’ve hardly seen her.”
And then Toppie made an astonishing statement. Turning her eyes from
him, looking before her at the dull rose sky, coldly, though gently, and
with a poise of tone that showed how deeply she was feeling, she said:
“If you have fallen in love with her, Giles, why should you not say so?
Why should you try to hide it as though you were ashamed? She is a
widow, is she not? There is no reason, is there, why you should not love
her?—It hurts me that you should speak like that—keeping things back;
twisting your real feelings lest I should see them.—You speak of her as
though you were ashamed of loving her.”
CHAPTER XV
Giles, while Toppie spoke, had started up, resting on his hand and
staring at her with eyes aghast and stupefied. What folly, what madness
was this? How could Toppie find it in her heart to speak like this; to
him—to him of all people?
Public-domain text, read in full here on John Shaqi.
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