British -- France -- Fiction; French -- England -- Fiction; Love stories
He was there; in their lives. She had left him behind her in Paris; no
longer their guest, but as much as at Les Chardonnerets the presiding
presence. He was a great friend. So Maman had said to her, strangely
pale, on that night when at Les Chardonnerets she had heard Giles and
André de Valenbois talk of her return to England. Maman had great
friends. And great friends made one suffer—Maman had not said that but
Alix had seen it—and many things in life must be sacrificed to them. It
was not that they were more loved than a child—oh, she was sure
not!—though that was a surmise that had pierced her through; it was
simply that one could not be sure of keeping them always; as one was
sure of keeping one’s child; and because one was not sure, one suffered.
It was something from which one could not free oneself. It was something
that made one helpless.
So Alix knew herself changed; a grave, meditative person; garnering in
her silence and her submissiveness a power to meet all the emergencies
that must lie in her path since, so obviously, they lay in Maman’s.
“Hello, Alix,” said Giles. His eyes had found her and he was there below
her, taking from her the basket she had lifted off the seat; and she
said, “Hello, Giles,” though it seemed to her always such an odd phrase
to meet upon.
“Is this the kitten?” said Giles.
“Yes. This is Blaise. You expected him? I wrote to Mrs. Bradley.”
“Expected him! Rather! They’re wanting to see him almost as much as to
see you.”
“That is well, then,” Alix smiled. “You haven’t been ill, Giles?”
“Ill! Rather not! I’m as right as rain,” said Giles; and he added,
hastily she felt: “But I say, you’re quite different. What is it? Your
clothes? Your hair?”
“Maman thought I was getting too old for short hair. It is taken back
from my forehead, too. It makes me very _digne_, I assure you. And my
skirts are nearly as long, you see, as anybody’s skirts.”
Alix wore a dark blue dress and a dark blue cape, buttoned with little
buttons on her breast and showing a satin lining of striped grey and
blue. Her shoes and stockings were grey, and her loose, long gloves, and
her soft little hat curving down over her brows with the big bow knotted
at the side. Maman had made her, though so sober, very _chic_, and Giles
was taking it all in; as far as he could; and that, she feared, with
tender irony, was not very far.
Giles, as they moved along the platform, pursued the topic of her
appearance, feeling it evidently opportune. He did not wish to speak
about his own. “It’s that you look so tremendously foreign;—the way you
walk; the way your things are put on; the way your hat comes down like
that. Even the way you speak English is as French as possible, for
anyone who speaks it perfectly; and I’d never noticed that before.”
Public-domain text, read in full here on John Shaqi.
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